Headphones

There's an air of 'if it ain't broke, don't fix it' about iFi Audio's ZEN CAN. The third model in the Merseyside-based company's affordable range of (non-portable) desktop devices, it shares the physical chassis design of the earlier £129 ZEN DAC and ZEN Blue models [HFN Jul '20] and promises the same mix of 'high-performance audio' and value for money. Yet there's arguably more to this cost-conscious headphone amplifier than meets the eye.

Well, it seems everyone's doing it, so why shouldn't German high-end company T+A have its own headphone system? Hot on the heels of its first headphone offering, the Solitaire P planar magnetic design [HFN Jun '20], T+A also has a matching headphone amplifier, the HA 200 – and here it is. Even by the standards of some of the headphone exotica out there, the Solitaire P/HA 200 duo is pitched unashamedly high: the 'phones will set you back £4800, and this headphone amp £6600 in either black or silver finishes, making the whole system the thick end of £11,500. So you're going to have to be pretty serious about your headphone listening to consider it.

If like me you enjoy the ancient notion that an engineer is someone who can make for a shilling what any fool could make for a pound, you'll share my longstanding delight at finding unpretentious, low-bling but high-achieving products which, despite modest price tags, blow away a lot of their more expensive competitors. Products which convince you that resources have been husbanded and design effort expended in pursuit of one key goal: first-class sound.

Are we in the midst of a Golden Age of Analogue? If you're returning to, or just discovering the vinyl LP, then yes, we are. Mobile Fidelity's UltraPhono is an example of what the industry can deliver when inspired, and clearly this is a response to the need for affordable phono stages to render suitable 30 years' worth of post-CD integrated amplifiers without phono stages. At £499, it's not for the impoverished analogue neophyte, but neither is it horrendously expensive by any measure.

Is conventional headphone design an example of what biologists call convergent evolution – adoption of a common design solution because it's optimal – or something more akin to herd behaviour: doing it a particular way because we always have?

Among those fortunate enough to have experienced it, the AKG K1000 is often spoken of with a mixture of reverence and awe. It wasn't just AKG's flagship when introduced 30 years ago, it was an attempt to redefine headphone design and shove it in a new direction. The K1000 had no earpads as such – its capsules were held away from the head by small pads above the ears – and it was pared-down structurally to obviate other resonant cavities and minimise the reflective surface area.

Astute readers will have noticed that we've been exploring the HiFiMan range in stepwise fashion. We began with the £475 Sundara [HFN Jun '19], progressed to the £1500 Arya [HFN Aug '19] and have now reached the £5750 Susvara. While, despite its elevated price tag, the Susvara isn't the most expensive headphone the Chinese manufacturer currently offers, the costlier Shangri-La and Shangri-La Jr are both electrostatic models, making the Susvara its flagship planar magnetic design.