While Marantz's new 40 series shares its industrial design with the Class D Model 30, its core networking and Class A/B amp technology borrows from an earlier generation
By all accounts stylish, network-attached amps, including Cambridge Audio's Evo 150 [HFN Nov '21] or the compact NAD M10 and C 700 [HFN Jun '19 & Feb '22], are carving themselves a successful niche. So it's not surprising that Sound United, parent of Marantz, is making its own pitch. Marantz traditionalists needn't fret, however, for while the new £2199 Model 40n includes high-res wired/wireless streaming, USB and HDMI ARC inputs, the chassis is properly hi-fi-sized and the aesthetics are pure 'Marantz'.
Launched to mark Sumiko's 40th, this latest version of the 'Celebration' moving-coil takes its cues from the mkII Pearwood, albeit with Plumwood to invoke a unique hue...
This celebratory model, marking 40 years, recalls a bygone time, its perfectly apt wooden box and body inadvertently honouring a specific Japanese MC cartridge with the greatest claim to establishing the genre in the West: the original Koetsu [HFN Nov '80]. What doesn't evoke the 1980s is the £3199 price tag, although this is perhaps not so forbidding when we can list a dozen £10,000-plus cartridges, aimed at those who quaff Petrus at every meal…
New kid on the block, Perlisten Audio, is creating a stir straight out of the gates. We test the flagship floorstander
There's a perception that the US, the home of muscle cars, foot-long hot dogs and canyons a mile deep, is also the home of monster-sized loudspeakers. And not, it must be said, without good reason – there are various American manufacturers that frequently put the floor into 'floorstander', building models that require considerable carpet space and suit large listening rooms. So it wasn't much of a surprise to discover Perlisten Audio, a new brand from Verona, Wisconsin, kicking things off with the S7t, an almost 1.3m-tall seven-driver tower weighing in at 55kg.
The most comprehensively-equipped component of Roksan's Attessa quartet combines phono, line and digital inputs with a BluOS streaming platform and beefy amplifier
So it turns out that network amplifiers built around BluOS streaming technology are like buses. No sooner had we waved goodbye to the £1299 NAD C 700 [HFN Feb '22], then up popped the Attessa Streaming Amplifier from Roksan, a little more expensive at £1495 but cut from the same just-add-speakers cloth. This joins a competitive market alongside not only NAD's device but Bluesound's £850 BluOS-based Powernode, plus other streaming integrateds including Cambridge Audio's Evo 75 and Audiolab's Omnia. Handy for Roksan, then, that it has a lot going for it.
With powerful battery pack and styling inspired by the Mars rover, the CA1000 aims to squeeze the performance of a full-sized 'digital' headphone amp into a portable player
The new Astell&Kern ACRO CA1000 desktop player/DAC/headphone amplifier, selling for £1999, has a raft of functionality built-in – and yet I'm still not quite sure who it's for… Of course, this is far from the first step beyond its core expertise in high-quality pocket music players taken by the company. After all, it's already given us the extraordinary AK500 stack system [HFN Apr '15], active speakers and the chunky ACRO L1000, its first desktop headphone amp/DAC.
Korea's Citech group is ploughing its considerable in-house hardware and software resource into a series of network-attached players. Here's its most compact all-in-one
One of the great advantages offered by network-capable audio hardware is that, once a platform has been designed, it can be rolled out across a number of products, re-purposed and scaled depending on the target market. We've seen the same from brands as diverse as AVM [HFN Dec '21], Cambridge Audio [HFN Nov '21] and Naim [HFN Aug '21], and now recent arrival HiFi Rose is following the same path with high-end players designed to be used in existing systems all the way through to one-box soundbar set-ups.
Not all audiophiles have massive listening rooms... System Audio comes to the rescue with an on-wall 'LCR' loudspeaker aimed at both AV and two-channel enthusiasts
If you're looking at System Audio's Legend 7.2 and thinking 'Why would I want to hang a loudspeaker on my wall?' then it's probably not the model for you. And that would be understandable. Many hi-fi enthusiasts have the space and flexibility to accommodate floorstanding or standmount speakers, and no need to pinch real estate from any surface other than their living room floor. For those, an on-wall speaker is a solution to a problem that doesn't exist.
This boutique brand from Sweden has quietly been making a name for itself with a classically-styled, modular integrated amp. We test the 'tickled up' Reference version
Anyone who spends time idly clicking between websites will be familiar with the HTTP 404 error, which occurs when a browser can't find what it was looking for. Coincidentally, the Moonriver Model 404 Reference amplifier, which is priced from £4495, has a similar 'error': there may be a USB-B port on its rear panel, offering the prospect of connecting a computer to play music, but there's nothing behind it, due to circumstances beyond the control of the amp's Swedish manufacturer.
A handful of turntable brands lay claim to the first suspended subchassis model, but few, unlike Thorens' TD 150 from 1965, were mass produced. Here's its great grandson
Thorens CEO Gunter Kürten is true to his word: when we first met at the Tokyo High End Show in 2019, he hinted that the hugely-important, wildly-popular three-point suspended-subchassis, belt-drive TD 150 of 1965 might make a return in updated form. This wasn't your typical case of just exploiting retro because the TD 150 was more than a best-seller for Thorens. It was a breakthrough in the evolution of turntables.
This compact '70s deck packed some clever tech when it came to speed control, but is it now an underappreciated classic? Time to find out as the GA 202 is put to the test...
When designing any turntable, ensuring that it maintains the correct and consistent speed is of paramount importance. Numerous techniques have been tried over the years, some with greater success than others. The Philips GA 202 Electronic turntable reviewed here was one of the first popular models to feature a motor controlled by an electronic servo, bringing easy operation and improved performance. This was the deck's key feature, but there were other striking aspects to the design.