Network Audio Players/Servers

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Review: Andrew Everard, Lab: Paul Miller  |  Jul 28, 2022
hfnoutstandingIn raw form this is a digital streamer/network bridge governed by the Conductor app, but add optional SSD storage and the N200 becomes a fully-fledged music library

Music storage: it can be a thorny subject, not least because those network products offering internal capacity for your library tend either to have fixed, non-expandable storage, or offer the option of dealer-installed drives. The cost of such storage is usually high, too – okay, not 'adding capacity at time of ordering your new Apple computer high', where an extra Terabyte can cost you £400, but still at prices to have you looking at HDDs on the likes of Amazon and scratching your head.

Review: Andrew Everard, Review and Lab: Paul Miller  |  Aug 17, 2023
hfnoutstandingAurender's flagship two-box network music library isn't the traditional PSU/player you might expect. Instead, the functionality is elegantly split between data in and data out

Look at any multi-box component and you can usually work out what's going on: CD transport and DAC, preamp and power amp(s), for example. But just as often those two boxes are an 'audio product' – phono preamp, headphone amp, DAC or even a digital audio transport – plus an outboard power supply. The rationale for these latter two-boxers is clear, for by isolating the electrically noisy parts of the system away from delicate audio signals, interference is minimised and signal purity maximised.

John Bamford and Paul Miller  |  Dec 16, 2011
The first in a new breed of ‘computer transports’, WideaLab’s Aurender S10 employs a Linux-based OS and solid-state storage to render your music collection via digital outs. Aurender music servers are new to the UK. Made by WideaLab, a specialist subdivision of Korea’s Wonik Corporation, they are designed for pure audio replay of a lossless digital music library – aimed squarely at audiophiles who care passionately about sound quality. That’ll be us, then!
Review: Andrew Everard, Lab: Paul Miller  |  Apr 13, 2023
hfnoutstandingPitched as 'the music server against which others are judged' and featuring a battery supply, 4TB SSD storage, a 1TB cache and custom upsampling, this is no idle boast

You're on somewhat shaky ground when reviewing a big-ticket music server, especially one with no onboard digital-to-analogue conversion. The scythes and flaming torches of the 'digits is digits' brigade might appear at any moment on the path up the mountain on which such devices are perched, and there's always the nagging doubt that the choice of partnering DAC will have more impact on the final sound.

Review: James Parker, Lab: Paul Miller  |  Jan 10, 2022
hfncommendedThe latest all-in-one compact Class D streaming system from the German company features an enhanced network audio platform – but that's only the start of its appeal

As the model designation suggests, this isn't the first all-in-one network audio system from German high-end company AVM. Replacing its existing Inspiration CS 2.2 model, the new Inspiration CS 2.3, selling for £5250 in black or silver finishes, with a chrome 'Cellini' finish available as a somewhat glitzy extra-cost option, is based around the company's latest streaming platform.

Review: Jamie Biesemans, Lab: Paul Miller  |  Jan 24, 2023
hfnoutstandingAVM's flagship all-in-one network/CD music system combines cool-running power with huge flexibility while the top 'Black Edition' features a custom finish and selected tubes

Nowadays there's a wealth of all-in-one units available but AVM was one of the brands to spot the trend early on. That partly explains why, even in an industry that loves extensive model ranges, the company has an impressively large product offering – including five streaming receiver solutions. And there's little concession to price in this range, so the top-of-the-line £14,950 Ovation CS 8.3 model boasts ample power reserves, a full range of streaming capabilities and a slot-loading CD player.

Review: Andrew Everard, Lab: Paul Miller  |  Jun 14, 2019
hfncommendedPart of the Minnesota brand's compact Evolution One series, this 'Asynchronous Network Bridge' can feed a DAC with streamed music, or be used straight into an amp

Why can't products just be what they claim? Elsewhere in this issue you'll find a high-end network player that's also a very fine DAC, and a very affordable preamp that comes with a built-in tuner and power amplification. It's all very confusing – and then along comes Bel Canto's £1500 e.One Stream, launched at last year's Hi-Fi Show Live in Windsor, and demonstrated in an all-Bel Canto system with YG Acoustics speakers. An unassuming compact component, its 'half-width' casework impeccably finished in a choice of black or silver, the e.One Stream purports to be an 'Asynchronous Network Bridge'.

Review: Christopher Breunig, Lab: Paul Miller  |  Jul 16, 2020
hfnoutstandingWith trickle-down tech from the flagship M1, a custom DSD DAC plus network and headphone amp options, Bricasti's M3 looks like the new go-to star of the range

With its upgraded M1 Dual Mono DAC now in 'Classic' form and selling in the UK at £9499, Bricasti has also announced a more affordable alternative, but still offering 'an incredible array of performance'. The basic M3 USB DAC is offered at £5399, but this increases to £6999 when fitted with its DNLA/UPnP-compatible network streaming card and new headphone amplifier option. The latter includes both 4-pin balanced XLR and 6.35mm single-ended jack outputs, and is available as a return-to-factory retro-fit option as the front fascia requires some reworking.

Ed Selley  |  Nov 20, 2011
Bryston presents a simplified method of enjoying computer audio Confronted with the burgeoning of computer audio, manufacturers of conventional hi-fi equipment have reacted in diverse ways. A few have buried their heads in the sand; some have made USB DACs, others hard-disk players, still others streaming network players.
Hi-Fi News Staff  |  Jan 13, 2015
Canadian audio manufacturer Bryston adopted a purist approach with its first computer audio product, the BDP-1 ‘digital player’ [HFN Apr ’11], this based on an ultra-minimalist computer with four USB sockets for memory sticks or external HDDs. An enhanced model, the BDP-2 featured here has joined Bryston’s line-up along with a new BDA-2 DAC which includes a 192kHz/24-bit capable asynchronous USB input. This uses proprietary firmware running on the XMOS USB audio micro-controller platform. Bryston supplies the necessary driver software on a memory stick for Windows PC users (Macintosh supports USB Audio Class 2.
Review: Mark Craven, Lab: Paul Miller  |  Aug 23, 2021
hfnoutstandingThis flagship, fully balanced preamplifier comes with Bryston's BDA-3-inspired DAC plus updated BDP streaming platform and full network control. It's busier than it looks!

There's so much functionality under the bonnet of Bryston's BR-20 that you might wonder where to start. I would suggest the manual – this £7500 networked USB DAC/preamplifier isn't, it must be said, the most instantly intuitive of system hubs I've ever auditioned. But the effort is worth it though, because what the BR-20 can do, and how it does it, is quite special.

Review: Andrew Everard, Lab: Paul Miller  |  Jun 07, 2021
hfnoutstandingNamed after founder Prof. Gordon Edge, Cambridge Audio's flagship series is reinforced by the new 'M' monoblock amp. With the NQ Streamer, does this combo have an edge?

Nothing if not ambitious, Cambridge Audio's Edge series first broke cover three years back as part of the company's 50th anniversary celebrations. It took its name from Gordon Edge, one of the company's founders and the brains behind its first product, the P40 amplifier. Designed to take on the best in high-end audio, these Edge separates also serve as 'halo' products for the company's lower-tier ranges.

Review: James Parker, Lab: Paul Miller  |  Dec 16, 2021
hfnoutstandingThis London-based company may be a relative latecomer to the all-in-one streaming system market, but its debut models have style a-plenty – and performance to match

Given Cambridge Audio's track record in digital audio, it is perhaps a little surprising it's taken the company so long to enter the network systems arena. It was an early developer of add-on DACs in 1994 [see HFN Jun '21] and has been making streaming components for a good while, even going to the lengths of developing its own network audio hardware. The Cambridge catalogue currently caters for 'computer audio' enthusiasts with the entry-level £169 DacMagic 100 right up to the £4499 Edge NQ network preamp.

Review: Andrew Everard, Lab: Paul Miller  |  Dec 13, 2021
hfnoutstandingThe latest additions to Chord Electronics' range don't immediately give up the secrets of what they do – but dig deeper, and you'll find they're intriguing digital components

There are times when one might think Kent-based Chord Electronics is being wilfully abstruse in its selection of model designations. After all, its flagship DAC is called DAVE [HFN Apr '16], and its pocket-sized DAC/player combination is the Mojo [HFN Jan '16] and Poly. Then there's the portable Hugo DAC/headphone amp, now in both Hugo 2 [HFN Aug '18] and less-portable Hugo TT (for 'tabletop') versions [HFN Dec '15], to which the company has now added two extra units, named 2go and 2yu.

Review: Andrew Everard, Lab: Paul Miller  |  May 18, 2023
hfnoutstandingDebuted in the flagship Vivaldi, and now trickled down to the Bartók, dCS's APEX upgrade brings enhancements to the PSU, Ring DAC clocking and analogue output

Maybe it's a sign of the times, or the state of the specialist high-end audio market, but this latest version of dCS's Bartók streaming DAC, often referred to as the company's 'entry-level' model, is now almost twice the price of the original [HFN May '19]. Then, the Bartók was £9999, or £11,999 when fitted with the optional headphone amplifier; now the Bartók APEX, taking on board the company's latest package of enhancements, first seen in the Vivaldi APEX [HFN Jun '22], is £19,000, rising to £21,500 if you choose to take the headphone option.

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