Network Audio Players/Servers

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Review: Jamie Biesemans, Lab: Paul Miller  |  Apr 23, 2025  |  First Published: Oct 01, 2024
hfnoutstanding

With the H600’s streaming/DAC platform at its heart the new H400 – dubbed the ‘Streamliner’ by Hegel – looks set to take over as the sweet spot of the range

When Hegel’s reference H600 integrated amplifier [HFN Oct ’23] arrived to replace the H590 [HFN Oct ’18] last summer, it didn’t require much insight into the hi-fi industry to guess that the H390 [HFN Aug ’19] would also be marching in the general direction of the exit soon enough. It’s taken a year, though, before the replacement H400 – aka the ‘Streamliner’ – eventually pulled into port.

Review: Jamie Biesemans, Lab: Paul Miller  |  Nov 24, 2023
hfnoutstandingBuilt into an enhanced H590 chassis but featuring 'sound tuning' from the P30A/H30A pre/power, Hegel's fully-networked flagship integrated gets off to a flying start

After an extended period of Covid and component shortage-related calm, Oslo-based Hegel has seemingly shifted into overdrive, launching multiple new products in just half a year. First up in 2023 was a major update to its flagship pre/power system in the form of the P30A and H30A [HFN Jun '23], followed by the Viking CD player [HFN Sep '23]. The third act is the launch of the H600, which takes over from Hegel's popular, top-tier H590 integrated streaming amp, and sells for £10,500 in a very dark grey, almost matt black finish.

Review: Andrew Everard, Lab: Paul Miller  |  Nov 16, 2020
hfnoutstandingThe new entry-level model in the Norwegian company's amp range is a sensible mix of facilities and performance – or at least it would be, if the sound wasn't sensational!

Oslo-based Hegel has been enjoying something of a purple patch of late: not content with raising eyebrows with the sheer performance of its flagship H590 integrated amplifier [HFN Oct '18], it went on to get dangerously near that level with the much more affordable H390 model [HFN Aug '19], offering almost all of big brother's sound quality for not much more than half the price. Our HFN review concluded that it was 'sensationally good value, with a clean, powerful sound and bags of musicality, not to mention exceptional flexibility including onboard network streaming'. Unsurprisingly, it won the 2019-20 EISA Award for 'Best High-End Amplifier'.

Review: Andrew Everard, Lab: Paul Miller  |  Oct 01, 2018
hfnoutstanding.pngThe Norwegian brand’s latest amp is not just its most powerful integrated, but comes complete with network audio capability. Is this the ultimate one-box amp solution?

Obviously not afraid of a spot of (Russell?) crowing, Oslo-based Hegel describes its new Reference H590 integrated amp, just going on sale at £9000, as ‘Master and Commander’. Apparently it’s ‘A master at musicality’ and ‘The commander of any set of speakers’. Mind you, you might be tempted to forgive the company for its exuberance – after all, the new arrival is something of a monster, standing an AV-receiver-challenging 17.1cm tall, tipping the scales at 22kg and delivering over 300W per channel. Well, 301W a side actually, according to Hegel, making it at least 50% more powerful than its previous top integrated, the H360.

Review: Andrew Everard, Lab: Paul Miller  |  Nov 02, 2023
hfnoutstandingKorea's HiFi Rose has moved upmarket with its first DAC-less, transport-only network player – the result is an impressive combination of purity and innovative technology

As if on a one-company mission to prove all the variations possible when it comes to network audio, Korean brand HiFi Rose has gone in very short order from being an upstart newcomer to its current role as a pillar of the digital establishment. And it's done so not by the simple expedient of taking one platform and pitching it at a range of price-points, but rather by expanding its offering to fill every niche from the all-in-one 'just add speakers' system [HFN Mar '22] to the highly-focused high-end network component explored on these pages.

Review: Andrew Everard, Lab: Paul Miller  |  Jul 13, 2021
hfncommendedPowered by in-house hardware and software engineering from Korea's Citech group, the HiFi Rose brand combines slick visuals with the promise of state-of-the-art sound

One of the great benefits of the rise of streaming – be it network or online – is the flexibility it gives manufacturers to create just about any product they like. There are some basic formats, including the all-in-ones like the Naim Uniti [HFN Nov '17], NAD M-Series [HFN Aug '20] and the new Cambridge Audio Evo. There are also streaming amps and standalone playback components (network players or DACs), but within those parameters the engineers and designers have no shortage of freedom to create network audio devices in just about any shape they want…

Review: Andrew Everard, Lab: Paul Miller  |  Apr 25, 2022
hfncommendedKorea's Citech group is ploughing its considerable in-house hardware and software resource into a series of network-attached players. Here's its most compact all-in-one

One of the great advantages offered by network-capable audio hardware is that, once a platform has been designed, it can be rolled out across a number of products, re-purposed and scaled depending on the target market. We've seen the same from brands as diverse as AVM [HFN Dec '21], Cambridge Audio [HFN Nov '21] and Naim [HFN Aug '21], and now recent arrival HiFi Rose is following the same path with high-end players designed to be used in existing systems all the way through to one-box soundbar set-ups.

Review: Andrew Everard, Lab: Paul Miller  |  Mar 28, 2023
hfncommendedKorea's Citech group continues apace with yet another 'full colour widescreen' offering from its HiFi Rose brand – this time with an updated network-attached media hub

ARose by any other name? As has happened in the past, Korean manufacturer HiFi Rose has launched a new version of an existing model – in this case its RS250 network player – with worthy specification changes and a suffix to set the two apart. But there's a mild inconsistency here, for when the company upgraded the RS150 [HFN Jun '21] to the current version, due to a DAC chip change forced upon the company by the 2020 fire at AKM's semiconductor plant in Japan, it became the RS150(B), selling for £3899, but the revised RS250 is now the £2349 RS250A, available in either silver or black finishes.

Review: Andrew Everard, Lab: Paul Miller  |  Feb 09, 2023
hfnoutstandingCombining the network streaming capability of the RS150 flagship with the GAN-FET Class D amplification of the RS180, the RS520 aims to be the 'all-in-one' for everyone

Another smart move from the Korean tech specialist? That certainly seems to be the case with the latest arrival from Seoul-based HiFi Rose, which has rapidly established itself as a major player in the network audio/video market with a string of excellent streaming players. Having taken what looked like an abrupt turn with the launch of its bonkers-styled – but great-sounding – RA180 integrated amplifier [HFN Jul '22], it's now delivering on the promises made by the company's Sean Kim, interviewed for that review. We're yet to see the simpler, more affordable RA280 integrated amp, but here's the company's all-in-one streaming amp, the RS520.

Review: Jamie Biesemans, Lab: Paul Miller  |  Apr 26, 2023
hfnoutstandingBuilt into the same chassis as the NEO iDSD, with the same DAC onboard, this new version loses the headphone amp in favour of a bespoke, app-driven streaming platform

To say iFi Audio is an industrious producer of compact hi-fi solutions would be an understatement. More recently the brand has been on a steep upward path of technical evolution, employing designers as accomplished as the marketing department is imaginative. The result? IFi Audio is successful because it has identified new hi-fi hotspots that appeal to both younger and older music lovers alike.

Review: Andrew Everard, Lab: Paul Miller  |  Mar 17, 2020
hfncommendedAiming high, this flagship two-box music server uses a separate, outboard linear power supply. But is this the perfect solution to all your music storage and playback needs?

The role of the hi-fi music server is changing. As we've noted in the past, what was once no more than an optimised NAS device, designed to feed an external network music player, has now become a complete storage playback solution, designed to connect straight to a USB DAC or, in some cases, with onboard digital-to-analogue conversion straight into an amp or preamp.

Review: Andrew Everard, Lab: Paul Miller  |  Jun 09, 2022
hfncommendedThe first SACD player from French audio artisans, Kalista, is also this spin-off brand's most comprehensive digital hub to date, with wired/wireless network streaming

Having emerged from French manufacturer Métronome Technologie with its inaugural model in 2003 – think Citroën spawning DS, or Seat's Cupra line – Kalista now has a growing range of DreamPlay products. This includes the £21,000 Kalista STREAM – described as 'The only streamer on the market that combines perfect functionality with exceptional looks' – and a turntable, the £44,000 Twenty-Twenty.

Hi-Fi News Staff  |  Jan 13, 2015
Krell announced at the 2014 Las Vegas CES its intention to introduce a UPnP/DLNA-compliant network media player and the rather aptly named Connect is now available in the UK. There are in fact two versions of Krell’s Connect player, the one featured here having an optional built-in DAC with balanced (XLR) and single-ended (RCA) analogue outputs. Needless to say it is vastly overbuilt compared with most music streamers! At its core lies a familiar BridgeCo-based StreamUnlimited platform including vTuner internet radio functionality. Massive power supplies have always been the cornerstone of Krell designs, and the Connect has an over-specified linear power supply with a 94VA toroidal transformer large enough to power a modest amplifier.
Hi-Fi News Staff  |  Jan 14, 2015
Lindemann audiotechnik, a boutique brand from Germany, has focused on high-end music replay for the past 20 years. It was one of the world’s first high-end brands to offer an outboard USB-to-S/PDIF converter for connecting a computer to a DAC. And it was also quick off the mark to make a USB-equipped DAC. Identifying a new trend for ‘downsizing’ complicated audio rigs, it has developed a range of four midi-sized – if expensive – products dubbed Musicbook.
Review: David Price, Lab: Paul Miller  |  Jul 13, 2020
hfncommendedWith multiple inputs, streaming functionality and plenty of power, this elegant and compact system promises consummate convenience and super sound. Does it deliver?

Since 1993, Lindemann has been making distinctive products, all with an accent on design and technology. Although the company has also sold loudspeakers in its 27-year history, electronics have formed the staple of the product portfolio – and it has shown a particular interest in digital technology. The D680 of 2001, for example, was the first German SACD player, while the original Musicbook was an early example of a highly advanced streaming front-end [HFN Jun '14]. Lindemann's thinking has been eerily prescient, as other brands have since scrambled to get similarly elegant so-called 'style systems' into their ranges…

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