Network Audio Players/Servers

As is so often the case with network audio products, the salient question concerning the Lumin P1, yours for £8495 in a choice of silver or anodised satin black sculptural milled-from-solid casework, is what it is exactly. The company can help with that, suggesting it can be just about anything you want: a network player, a DAC, a preamp (complete with analogue inputs as well as the digital array), or all three.

By all accounts stylish, network-attached amps, including Cambridge Audio's Evo 150 [HFN Nov '21] or the compact NAD M10 and C 700 [HFN Jun '19 & Feb '22], are carving themselves a successful niche. So it's not surprising that Sound United, parent of Marantz, is making its own pitch. Marantz traditionalists needn't fret, however, for while the new £2199 Model 40n includes high-res wired/wireless streaming, USB and HDMI ARC inputs, the chassis is properly hi-fi-sized and the aesthetics are pure 'Marantz'.

Based in Xi'an, the ancient city in northwest China that's home to the famous Terracotta Warriors, Matrix Audio has a classic hi-fi backstory: it was founded by three audio/music enthusiast schoolmates who regrouped some years later to launch a company to develop and produce hi-fi separates. The DA-100plus DAC was its inaugural product in 2006 since which time the company has evolved its lineup to encompass a range of digital and streaming products that covers just about all the bases, from the X-Sabre Pro DAC [HFN Nov '17] to the new £2795 Element X.

The exact definition of what constitutes a DAC has become a little blurry in recent years. Where once the outboard 'Digital-to-Analogue Converter' offered S/PDIF and possibly USB digital inputs together with fixed and/or variable outputs on RCAs and/or XLRs, the latest generation has undergone a fair bit of mission creep. Some of this is undoubtedly in response to the wealth of new digital sources but it also speaks to the relaxing of the principles of hair-shirt minimalism that audio has worked to over many years.

By now the Melco brand is very well-established in the 'computer audio' arena, with a range of fairly similar-looking slimline server devices designed to feed music to network players, or directly to a DAC via a dedicated USB output. However, the offering isn't as rare as once it was, with rivals now providing alternatives to multifunction NAS units, and also claiming audiophile credentials.

When Japanese-based Melco launched its first 'Digital Music Library' [HFN Feb '15], it more or less started a trend for audiophile music storage devices, and these days there's no shortage of rivals out there, all claiming to deliver the best possible sound for your network audio. However, its first 'Audiophile Dataswitch' enters a somewhat different arena, where it's not exactly a pioneer.

For an insight into the digital audio product we have before us, the £8999 Mola-Mola Tambaqui, I turn to no less an authority than biologist, author and TV presenter Jeremy Wade, best-known for his series River Monsters and Dark Waters, in which he goes in search of – and catches – some of the world's largest and most predatory fish.