Network Audio Players/Servers

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Review: Jamie Biesemans, Lab: Paul Miller  |  Apr 26, 2023
hfnoutstandingBuilt into the same chassis as the NEO iDSD, with the same DAC onboard, this new version loses the headphone amp in favour of a bespoke, app-driven streaming platform

To say iFi Audio is an industrious producer of compact hi-fi solutions would be an understatement. More recently the brand has been on a steep upward path of technical evolution, employing designers as accomplished as the marketing department is imaginative. The result? IFi Audio is successful because it has identified new hi-fi hotspots that appeal to both younger and older music lovers alike.

Review: Andrew Everard, Lab: Paul Miller  |  Mar 17, 2020
hfncommendedAiming high, this flagship two-box music server uses a separate, outboard linear power supply. But is this the perfect solution to all your music storage and playback needs?

The role of the hi-fi music server is changing. As we've noted in the past, what was once no more than an optimised NAS device, designed to feed an external network music player, has now become a complete storage playback solution, designed to connect straight to a USB DAC or, in some cases, with onboard digital-to-analogue conversion straight into an amp or preamp.

Review: Andrew Everard, Lab: Paul Miller  |  Jun 09, 2022
hfncommendedThe first SACD player from French audio artisans, Kalista, is also this spin-off brand's most comprehensive digital hub to date, with wired/wireless network streaming

Having emerged from French manufacturer Métronome Technologie with its inaugural model in 2003 – think Citroën spawning DS, or Seat's Cupra line – Kalista now has a growing range of DreamPlay products. This includes the £21,000 Kalista STREAM – described as 'The only streamer on the market that combines perfect functionality with exceptional looks' – and a turntable, the £44,000 Twenty-Twenty.

Hi-Fi News Staff  |  Jan 13, 2015
Krell announced at the 2014 Las Vegas CES its intention to introduce a UPnP/DLNA-compliant network media player and the rather aptly named Connect is now available in the UK. There are in fact two versions of Krell’s Connect player, the one featured here having an optional built-in DAC with balanced (XLR) and single-ended (RCA) analogue outputs. Needless to say it is vastly overbuilt compared with most music streamers! At its core lies a familiar BridgeCo-based StreamUnlimited platform including vTuner internet radio functionality. Massive power supplies have always been the cornerstone of Krell designs, and the Connect has an over-specified linear power supply with a 94VA toroidal transformer large enough to power a modest amplifier.
Hi-Fi News Staff  |  Jan 14, 2015
Lindemann audiotechnik, a boutique brand from Germany, has focused on high-end music replay for the past 20 years. It was one of the world’s first high-end brands to offer an outboard USB-to-S/PDIF converter for connecting a computer to a DAC. And it was also quick off the mark to make a USB-equipped DAC. Identifying a new trend for ‘downsizing’ complicated audio rigs, it has developed a range of four midi-sized – if expensive – products dubbed Musicbook.
Review: David Price, Lab: Paul Miller  |  Jul 13, 2020
hfncommendedWith multiple inputs, streaming functionality and plenty of power, this elegant and compact system promises consummate convenience and super sound. Does it deliver?

Since 1993, Lindemann has been making distinctive products, all with an accent on design and technology. Although the company has also sold loudspeakers in its 27-year history, electronics have formed the staple of the product portfolio – and it has shown a particular interest in digital technology. The D680 of 2001, for example, was the first German SACD player, while the original Musicbook was an early example of a highly advanced streaming front-end [HFN Jun '14]. Lindemann's thinking has been eerily prescient, as other brands have since scrambled to get similarly elegant so-called 'style systems' into their ranges…

Review: Andrew Everard, Lab: Paul Miller  |  Sep 22, 2022
hfncommendedNow in mkII guise, Lindemann's network-attached DAC and analogue preamp sees a raft of internal updates and the promise of 'production secured for upcoming years'

Look at the latest iteration of Lindemann's network music player, the £3450 Musicbook Source II, and you'd be forgiven for thinking that nothing much has changed [HFN Jun '20]. This is still a compact unit, just 28cm wide and a mere 6.3cm tall, with nothing much on show save a power/standby button sunk into one end of the top-plate and an edge-mounted volume control, with a push-to-mute function, at the other.

Review: Andrew Everard, Lab: Paul Miller  |  Aug 06, 2020
hfnoutstandingThis is not quite the most affordable of Lumin's network-attached players, but the D2 looks good, is sensibly priced and – thanks to a super-slick app – is a delight to use too

As the model number suggests, the £1845 Lumin D2 is the latest version of the company's affordable network audio player, the entry point for a range that started with the A1 back in 2012. And while the range has expanded, and some things have changed, much still seems the same: the D2 is compact, at just 30cm wide and a mere 6cm tall, and so light at 2.5kg that my stiffish Chord Company interconnects almost lifted it off its feet!

Review: Andrew Everard, Lab: Paul Miller  |  Aug 11, 2022
hfnoutstandingDescribed as the company's most versatile digital player to date, Lumin's P1 is an unashamedly high-end network audio solution. But can it be all things to all users?

As is so often the case with network audio products, the salient question concerning the Lumin P1, yours for £8495 in a choice of silver or anodised satin black sculptural milled-from-solid casework, is what it is exactly. The company can help with that, suggesting it can be just about anything you want: a network player, a DAC, a preamp (complete with analogue inputs as well as the digital array), or all three.

Review: Mark Craven, Lab: Paul Miller  |  May 04, 2023
hfnoutstandingArguably the 'sweet spot' in Lumin's range of network-attached players, the new T3 retains the core features of its costlier models, including full use of the super-slick app

The product catalogue of Hong Kong's Lumin, neatly divided between four network players, three network transports, and one-off power amp and streaming amp options, deserves the description 'small but perfectly formed'. That would also be an apt way of looking at its T3, a network player/DAC possessing a neat, easy-to-accommodate design and a feature roster designed to satisfy the needs of the performance-hungry streaming audio enthusiast. In essence, it takes much of what's offered by Lumin's flagship one-box P1 [HFN Jul '22], but trims the spec. (and size) down to a price point of £4195, almost half that of its bigger brother.

Review: Jamie Biesemans, Lab: Paul Miller  |  May 16, 2022
hfnoutstandingWhile Marantz's new 40 series shares its industrial design with the Class D Model 30, its core networking and Class A/B amp technology borrows from an earlier generation

By all accounts stylish, network-attached amps, including Cambridge Audio's Evo 150 [HFN Nov '21] or the compact NAD M10 and C 700 [HFN Jun '19 & Feb '22], are carving themselves a successful niche. So it's not surprising that Sound United, parent of Marantz, is making its own pitch. Marantz traditionalists needn't fret, however, for while the new £2199 Model 40n includes high-res wired/wireless streaming, USB and HDMI ARC inputs, the chassis is properly hi-fi-sized and the aesthetics are pure 'Marantz'.

Review: Andrew Everard, Lab: Paul Miller  |  Feb 08, 2021
hfnoutstandingTrickledown engineering wins hands down as the core technology behind Marantz's 12 series is buffed to a new polish, gaining network compatibility at an even lower price

The expression 'hot on the heels' is one thing, but to launch two sets of products seemingly offering similar features at much the same price might be seen as inviting customer confusion. Yes, that's just what Marantz has done, with the SA-12SE/PM-12SE SACD player and amplifier [HFN Nov '20] followed within weeks by the arrival of the 30 Series models – yes, an SACD player and amplifier. Add in the fact that both ranges draw heavily on previous models – to put it charitably – and one might well wonder what exactly is going on.

Review: Andrew Everard, Lab: Paul Miller  |  Feb 11, 2021
hfnoutstandingThis unit may be compact, but it's a highly comprehensive DAC/headphone amp/preamp, with full network audio capability encompassing a huge range of formats

Based in Xi'an, the ancient city in northwest China that's home to the famous Terracotta Warriors, Matrix Audio has a classic hi-fi backstory: it was founded by three audio/music enthusiast schoolmates who regrouped some years later to launch a company to develop and produce hi-fi separates. The DA-100plus DAC was its inaugural product in 2006 since which time the company has evolved its lineup to encompass a range of digital and streaming products that covers just about all the bases, from the X-Sabre Pro DAC [HFN Nov '17] to the new £2795 Element X.

Review: Andrew Everard, Lab: Paul Miller  |  Nov 17, 2022
hfnoutstandingMatrix Audio's Element X2 introduces design, control and input upgrades to the X's network DAC/headphone amp and preamp. All this and a colour touchscreen to boot

At first glance, one might wonder why Matrix Audio felt any need to update its Element X network DAC [HFN Jan '21], the latter receiving our 'Outstanding Product' tag at £2795. However, look at this new X2 model and – while it's still conceptually the same, with a broad retention of technology from the ESS ES9038PRO DAC to the Crystek clock – it's clear much has also changed.

Review: Mark Craven, Lab: Paul Miller  |  Jan 23, 2024
Pure in name and hi-fi heart, Matrix Audio's 10th anniversary Element X2 model loses its headphone amp but gains a pair of new, cutting-edge ESS Sabre DACs

While the list of 'legacy products' on Matrix Audio's website begins with the DA-100 Plus DAC, which debuted in 2006, the Chinese brand insists it only really began life in 2013 when it was registered as Matrix Electronic Technology Co. 'Before that, Matrix Audio existed in the form of a studio', says marketing manager Yang Tao. This explains why the literature for the new Element X2 Pure network DAC (and the sticker that graces the top of the unit) proclaims it a celebratory model, launched to mark the company's 10th anniversary.

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