LATEST ADDITIONS

Hi-Fi News Staff  |  Nov 13, 2014
This lavishly-built C600 preamplifier and unusual looking partnering M600 monoblocks [not shown] are TAD Labs’ ‘Reference’ amplifiers. The C600 preamp’s aluminium subchassis is 33mm thick and weighs 15kg alone, designed to resist acoustic vibration and provide a ‘low and stable ground potential’, says the company. Removing the preamp’s top plate reveals its dual mono construction and all-discrete signal path; it’s a fully balanced design. The power supply, with its massive transformer, is a separate ‘hideaway’ unit.
Hi-Fi News Staff  |  Nov 13, 2014
Yes, they’re expensive – but Nagra’s electronic jewels are gloriously timeless and beautifully engineered. The new Jazz preamplifier maintains the compact form factor and familiar brushed aluminium casework synonymous with the marque – it’s a Nagra through-and-through. And Nagra says the preamp’s circuitry – which employs 2x12AX7/ECC83s and 1x12AT7/ECC81 dual-triode valves – has been completely rethought to improve stability and reduce noise to the point where its engineers no longer consider a battery power supply a necessity. The Jazz is powered by a hideaway PSU that delivers DC to the main unit via a cable terminated with a Lemo connector.
Hi-Fi News Staff  |  Nov 11, 2014
The 111 is Burmester’s take on what a 21st century music centre might comprise, albeit with an eye-watering price tag. It is a high-end analogue preamplifier with a built-in DAC and a slot-in CD drive for playing CDs; it can rip CDs to its HDD, and since it has both Wi-Fi and Ethernet network connectivity it has internet radio functionality built in. Once music is stored as a ‘digital library’ on its internal 3TB HDD, the 111 can further function as a music server to distribute music around a networked home. It’s driven via an iPad that is included in the price (Burmester’s iPad app is attractive and works well).
Hi-Fi News Staff  |  Nov 11, 2014
This is Chord’s first network player. What it has done, in effect, is to marry its top-of-the-range QBD76 HDSD DAC with StreamUnlimited’s Stream700 audio streaming client – an off-the-shelf hardware solution for network audio which includes a 3. 5in, 320x240 pixel colour display, supports up to 24-bit/192kHz FLAC or WAV files via wired Ethernet (24-bit/96kHz via a wireless connection), provides for internet radio and offers remote control via a smartphone app. There are just two rear inputs –a BNC socket for S/PDIF connection and, of course, the Ethernet socket – and just two pairs of phono and XLR outputs: one at fixed level and one a variable output, adjusted by an analogue volume control within the DSX1000, which allows for direct connection to a power amp.
Hi-Fi News Staff  |  Nov 11, 2014
Flagship front-ends don’t come bigger than the multi-box dCS Vivaldi, comprising an upsampling CD/SACD digital Transport, an outboard DAC, outboard Upsampler and dual-mode Clock. Its new industrial design is realised in spectacular, sweeping curves and matching, full-colour TFT displays (albeit run in greyscale). Each box has a limited range of soft-touch buttons to navigate through the various configuration menus. There’s a heavy alloy IR remote but most users will gravitate towards the dCS app available on the iPod/iPhone/iPad, Android, Mac OS X and Windows PC platforms.
Hi-Fi News Staff  |  Nov 11, 2014
Since reviewing T+A’s DAC 8 converter [HFN Oct ’12] it has become something of a reference for us. The same DAC architecture has been transplanted into this luxuriously built multi-function media player, the first of a new line of high-end pure audio components, dubbed ‘HV’ for High Voltage [see also p73]. The MP 3000 HV comprises a CD player, a UPnP network client for computer-sourced music streaming via Ethernet or WLAN, an internet radio incorporating thefamiliar vTuner platform, and an FM radio tuner with RDS. Naturally, since it has a high-end DAC at its core, it features an asynchronous USB input for ‘pushing-in’ audio data from computers, and it sports no fewer than six digital inputs at the rear to accommodate a plethora of digital sources as well.
Hi-Fi News Staff  |  Nov 11, 2014
Rated at 180W/8ohm, Quad’s Platinum Mono power amp is for those who crave more power than offered by the Elite QSP. Concurrent with its release is the Digital Media Player: a logical progression for those enthusiasts who have long enjoyed the earlier 99 Series CDP-2. While there are no analogue inputs, the DMP does adds a USB input and digital outputs include one each of Toslink, coaxial, BNC and AES/EBU via XLR. Both the Monos and the DMP provide balanced connection via XLRs for the main line-level output from the preamp and input to the power amps.
Hi-Fi News Staff  |  Nov 11, 2014
If proof were needed of Bryston’s mettle for embracing the modern world beyond purist two-channel analogue pursuits, it’s the B135 SST2 C-Series Integrated Amplifier. While the unit reviewed here is two-channel, purist and analogue, it can be fitted with a DAC module for £1575 that adds two coaxial and two Toslink inputs. Other options include a £500 universal remote and an MM-only phono stage for £650. Bryston offers neither MC nor USB.
Hi-Fi News Staff  |  Nov 11, 2014
The Virgo preamplifier and Centaur monoblocks reviewed here are models from Constellation’s ‘economy’ Performance range, yet total £72,500. As for Reference prices, we shudder to think… While a pretty enough design, the Virgo is rather anodyne, its greyness John Major-like. A plain-Jane outboard power supply feeds it via two umbilical cables, connecting at the back where you find rows of both XLRs and phono sockets for every input and output – four sources, two sets of outputs and RS232 and USB inputs for networks and firmware upgrades. At the front, the central panel’s 432x230-pixel screen is flanked by rotaries for balance and volume, while other operations are accessed through menus activated by a row of buttons under the display panel.
Hi-Fi News Staff  |  Nov 11, 2014
When Devialet’s D-Premier was launched [HFN Apr ’10] it appeared to offer everything – tremendous power, direct digital inputs and a uniquely slim form factor. Its beautiful industrial design was matched by the elegance of its technology, a hybrid of Class A voltage amplification with precision digital Class D current dumpers. Devialet first chose to implement HDMI as the digital interface of the future. But now we all know that USB is digital audio’s all-conquering interface.

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