LATEST ADDITIONS

B. Willis (Music); P. Miller (Lab) | Apr 30, 2018

Fleet Foxes, insofar as I have been able to determine, is a millennial cult item from Seattle. Their first album in six years, Crack-Up is an exercise in high-minded art for art’s sake, in which densely orchestrated and intensely overproduced music obscures reverb-heavy lyrics whose meaning is known only to their author or his acolytes. Was the reverb intended to evoke the sensation of a live performance? Throughout most of these inscrutable compositions, one can hear echoes of every ambitious big-statement pop-rock album of the past 40 years. Some tracks are intriguing – or have intriguing parts – and the musicianship is very good, but for the most part Crack-Up is heavy-handed, self-indulgent, pretentious, overwrought, over-engineered, and baffling beyond comprehension.

Hi-Res Downloads

The Brahms Project : The Complete Piano Quartets

C. Breunig (Music); P. Miller (Lab) | Apr 23, 2018

These four young Spanish musicians decided they would like to undertake the three Brahms Piano Quartets – composed for piano, violin, viola and cello and first heard in 1861, ’62 and ’75. No 1 is by far the most popular, not least for its final ‘Rondo alla Zingarese’, and it was later orchestrated by Schoenberg (and twice recorded by Rattle). The 1949 set by Serkin and the Busch players is still current and these new recordings face huge competition. The stage width in this Zaragoza studio production is rather narrow and the 1862 Vuillaume violin sounds less generous in tone than I would have liked.

Hi-Res Downloads

Christian Grøvlen : Bach Inside Polyphony

C. Breunig (Music); P. Miller (Lab) | Apr 16, 2018

Forget the PDF booklet hyperbole about a project ‘opening new doors’ and seeking the ‘spirituality and sounds’ of Bach. Now 27, Christian Grøvlen plays 18 works – the Chromatic Fantasy And Fugue, Sinfonias Nos 1-15; French Suite No 3, Partita No 5 – on a modern Steinway and he’s recorded with an array of mics set up in a Norwegian church. There’s a pleasing ambience to the sound which is as clean as Grøvlen’s own fingerwork. He’s a thoughtful interpreter and unafraid to use the pedals (which András Schiff avoids in Bach keyboard works), while his ornamentation ripples and gives a fluidity to the musical line.

Hi-Res Downloads

Endless : Lost Lake

B. Willis (Music); P. Miller (Lab) | Apr 09, 2018

This contemplative, introspective collection by saxophonist David Haudrechy and pianist Grégoire Aguilar is what classical composers would have called ‘variations on a theme’. The key to what lies ahead is all contained in the opener, ‘Melancholia’. In the ensuing tracks, the two musicians do their best to find out how many ways they can plough the same plot of ground, but it’s a refined and delicate kind of ploughing. Lost Lake would serve well as background music for a moody French film, in which two obsessed lovers quarrel and copulate until they’ve exhausted their enthusiasm for both.

Hi-Res Downloads

Tomasz Stanko & New York Quartet : December Avenue

B. Willis (Music); P. Miller (Lab) | Apr 02, 2018

The latest from a stellar group – drummer Gerald Cleaver, pianist David Virelles, bassist Reuben Rogers, and trumpeter Stanko – December Avenue is a collection of beautifully rendered tone-poems. There is a great delicacy to the musicianship – they are all fully engaged with their bandmates – and each track seems approached as if they have all the time in the world, and all the space they could possibly need to explore it. Even at his most upbeat, Stanko has a sweetly mournful quality. The opposite of frantic jazz, this collection is maturely intelligent, emotionally resonant, aesthetically unassailable, and gorgeously executed, without a hint of cliché.

Pre/Power Amplifiers Vintage

Sony TA-F70 amplifier

Review: David Price, | Apr 01, 2018

It was an amp that gave fresh meaning to the term 'cooking on gas', but how does one of Sony's last classic super-integrateds shape up today? Time to find out...

The '70s was a time of great social change. At the beginning of the decade, black and white TVs, bicycles and outside toilets were the reality of life for many British people. But by the end of the '70s, most folks had colour TVs, family cars and swanky modern bathrooms – along with fitted kitchens, wall-to-wall carpeting and stereo systems in their homes. Although the music centre was the height of fashion, separates hi-fi was growing fast and many were willing to pay for serious equipment.

Turntables, Arms & Cartridges

Brinkmann Spyder turntable

Review: Nick Tate, | Apr 01, 2018

Sporting a unique modular design that accommodates multiple tonearms, a tube-based PSU for the motor and novel heated bearing, this super deck is far from run of the mill

Does the world really need another high-end turntable? That’s the question Brinkmann’s Spyder has to answer, because there’s already a surfeit of fancy vinyl disc spinners sitting pretty in this high value market. This deck needs to be special in some way then, and so it proved. Costing £9795 in basic form, it’s one of two belt-driven decks in the German company’s range of hi-fi separates, sitting alongside the Balance 2 [HFN Jul ’14]. Brinkmann also makes the Bardo and Oasis direct-drive turntables, which themselves are interesting and innovative things.

Loudspeakers

Magnepan Magneplanar 20.7 loudspeaker

Review and Lab: Keith Howard | Apr 01, 2018

A staple at the Hi-Fi Show Live, Magnepan's largest Magneplanar finally gets its first in-depth test

Back in the 1980s, when the UK hi-fi scene began, belatedly, to experience products from places more exotic than Glasgow, Bradford, Huntingdon, Maidstone and Salisbury – ones that didn't say 'Made in Japan' on them – the USA provided a stream of surprises, one of the most memorable being Magneplanar loudspeakers. For most audiophiles, isodynamic drivers were something you found in a left-field Wharfedale headphone of the early 1970s, yet here were full-range panel speakers using essentially the same technology.

Integrated Amplifiers Outboard DACs

Perreaux Eloquence 255i integrated amplifier/DAC

Review: Ken Kessler, | Apr 01, 2018

Still billed as 'The World's Most Powerful Integrated Amplifier', Perreaux's MOSFET flagship has been tickled-up with a new digital input module. And more power too...?

Side-by-side, you'd be forgiven for seeing no changes between the Perreaux Eloquence 255i integrated amplifier and the earlier 250i [HFN Aug '12]. Same rotary, same display, same number of buttons – even the price would leave you clueless, the six years between them inflating the £5695 of the earlier unit to £6895 in standard, line-level-only trim. Given the recent drop in the value of Sterling, that alone could account for the increase, so full marks to Perreaux.

Pre/Power Amplifiers

D'Agostino Progression Preamplifier/Stereo pre/power amplifier

Review: José Victor Henriques, | Apr 01, 2018

Inspired by the ‘Momentum’ circuit and industrial design that put D’Agostino Master Audio Systems on the map, its Progression series could make the biggest impact yet

The Progression Stereo amplifier is built around a dual-wound 1400VA toroidal transformer coupled to 400,000µF of power supply storage capacitance that feeds no fewer than 48 power transistors – 24 per channel. On paper this is said to generate 300W/8ohm, doubling into 4ohm [see PM’s Lab Report]. And it’s yours for roughly half the price of a pair of the company’s Progression Monoblocks [HFN Jun ’17].

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