A 2021 refresh of VPI's most popular turntable also sees a 'plus' option with bespoke moving-coil from Audio-Technica and RCA tonearm cable sourced from Nordost
By no means a newcomer to the audiophile LP-spinning scene – the brand is some 40 years young – VPI's recent range expansion has doubtless been further fuelled by the worldwide 'vinyl revival'. In addition to its diverse collection of tonearms, and innovative turntables including the direct-drive HW-40 Anniversary [HFN Apr '19], there are now two additions to VPI's 'Prime' series in the form of the Prime 21 and Prime 21+, priced at £4500 and £6500.
Johnny Black uncovers the unlikely beginnings of celebrated songs
Many moons ago, raking around in a secondhand book emporium, I came across a dog-eared but irresistible tome called Inspirations. Written by Michael Randolfi, Mike Read and David Stark, it offered up the inspirations behind popular songs, including the taxi cab accident which inspired Leo Sayer to write his 1974 hit 'One Man Band' and the phone call behind The Cure's 1997 single 'Wrong Number'. As someone who loves to know what songs are about, I plunged in with delight but, fascinating though it undeniably was, very few of the inspirations really surprised me.
Steeped in valve lore, this iconic tube brand extends the 'voicing' of its products right down to the choice of passive components and hand-wiring. We test a stack of VAC!
With the Valve Amplification Company, aka VAC, now 30 years old, it qualifies as a stalwart of the 'third wave'. The first was, of course, the original golden age generation of Marantz, Quad, McIntosh and others of the 1940s and 1950s, while the second wave hit in the early 1970s with Audio Research, EAR and other tube revivalists. VAC arrived at the point when tubes were demonstrably here to stay, Kevin Hayes founding the company with his father in 1990. He was, and remains, resolutely focused on the high-end, as this pairing's £69,000 cost attests.
We hear a midi-sized multi-CD player from 1987 boasting a digital filter on board, but does multi-play convenience mean there's a penalty to pay in terms of sound?
The word 'autochanger' strikes fear into the hearts of LP listeners, bringing thoughts of clanking levers, heavyweight arms and stacks of records slamming on top of each other. The situation is more favourable when it comes to CD. Most players handle discs mechanically anyway, and so only a relatively straightforward extension to the mechanism is needed to allow more than one disc to be loaded at a time.
This month we review and test releases from: Joachim Eijlander, Royal Concertgebouw Orchestra, Monty Alexander, Sophia Loren, Russian National Orchestra/Kent Nagano and David Gerrard, Ewan Robertson, The Choir Of Paisley Abbey/George Mcphee.
This month we review: Kremerata Baltica/Gidon Kremer, Mario Brunello, Bavarian RSO/Mariss Jansons, COE/Nikolaus Harnoncourt and .BBC SO/Martyn Brabbins