Disc Players

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Richard Holliss  |  Nov 03, 2014
This is a replacement for the four-year-old CD8, which can serve as a standalone player, a transport-only front-end thanks to digital outputs, and – most importantly – a ‘digital media bridge’ of sorts, like the processor-only REF DAC. Looking at it primarily as a CD player, there’s a valve-based analogue section and valve power supply regulation, the tube complement totalling five 6H30s and one 6550C. As it’s a top-loader you cannot put anything on top which would hamper its ventilation. CDs are held in place on the Philips PRO2R transport with a light puck.
John Bamford and Paul Miller  |  Jan 14, 2012
Featuring a hefty outboard power supply and an elaborate belt-driven disc transport, Burmester’s flagship CD player proves a cost-no-object audio masterpiece Attend any major international hi-fi fair and Burmester Audiosysteme is sure to be wowing the audiophile crowd with its range of opulent, chrome-finished audio exotica. Alongside the likes of Dynaudio and Clearaudio, Burmester is one of Germany’s premier high-end audio marques. It’s a thriving company, its brand name revered among the audio cognoscenti around the globe. Such is its stature in its home market it was even invited to develop luxurious in-car sound systems for Porsche and Bugatti.
Ed Selley  |  Nov 19, 2011
Universal playback, 3D and a huge feature set for £800? Cambridge Audio are at it again. The story here begins with Cambridge’s first universal player, the £400 Azur 650BD [HFN Jun ’10], which set the benchmark for sub- £1000 players. So while the 650BD lives on, albeit temporarily, the new £800 751BD is very definitely its high-end big brother. Like its sibling, the 751BD handles CD (HDCD), DVD-V, DVD-A, SACD and BD media, now including 3D movie discs.
Ed Selley  |  Nov 19, 2011
Another Ishiwata special edition at a new, lower price point Designer Ken Ishiwata celebrated his 30th anniversary at Marantz by producing the sumptuous KI Pearl SACD/CD player and integrated amplifier priced at £2500 each. A year later came the less elaborately-built Lite versions at £1000 a piece. We thought the SA-KI Pearl Lite fabulous value when we first tested it in Dec ’10 as part of a group test, and since then its suggested retail price has been reduced. Shop around and you’ll find it for even less than £900.
Paul Miller  |  Nov 19, 2011
Impressive sound and considerable flexibility thanks to six digital inputs With the 99 CDP-2, Quad took a full-function CD player, fitted its DAC with a selection of digital coaxial and Toslink optical inputs, and provided both fixed and variable outputs to enable the device to serve as a preamp. Aside from not featuring digital inputs such as balanced XLR, USB and others current and forgotten, the 99 CDP-2 and now the Elite CDP enable their owners to accommodate six extra digital sources. The new player is essentially an update, with circuitry improvements and aesthetic changes like the better front panel illumination. It has the exact same dimensions, right down to the same indents in the top for stacking.
Paul Miller  |  Nov 19, 2011
Swiss player combines SACD replay, digital inputs and sumptuous aesthetics to great effect The new 540 SACD ‘Digital Player’, a snip by Soulution standards at £17,850, benefits from the trickle-down of technology from its flagship 745 model. Finish is sumptuous, and the curved edges of top panel and front fascia combine to soften the 540’s physical presence, making it disappear more than most big hi-fi boxes, leaving one to focus on a single rotary dial, a meagre trio of buttons and a slender disc drawer. Screw heads, heatsinks, logos, etc are absent. Digital inputs include coaxial, optical and balanced connections which can all handle incoming data up to 192kHz/24-bit.
Paul Miller  |  Nov 19, 2011
SACD capability and a clever variable output make the McIntosh a strong performer The SACD won’t go away because enough of us realise that it sounds fabulous. It still has an important market in Japan, and supporters in unlikely places which keep the software flowing. McIntosh is one: as traditional a manufacturer as you can name, and not tempted towards controversy. Mac’s approach to SACD is almost matter-of-fact: it eschews 5.
Paul Miller  |  Nov 19, 2011
The latest Evolution drops SACD to focus on CD Krell’s first non-amplification component was the SBP 64X DAC. Twenty-two years on we have this high-end player, following on from the Evolution 505 but this time it doesn’t play SACDs. The two look pretty much the same: the front panel layout is virtually unchanged, although the transport drawer is replaced here by a disc loading slot. Above this is a bold, blue-lit dot matrix display.
Ed Selley  |  Nov 17, 2011
How does the original CD player stand up nearly thirty years after its introduction? It was in March 1983 that the compact disc system officially arrived in Europe. With it came the first European-made CD player, the top-loading Philips CD100. Four years before, in March 1979, Philips had given a first press demonstration of a Compact Disc player prototype, using 14-bit digital encoding. Philips was already marketing 30cm video discs but believed that there should be a separate, smaller disc format for audio.
Ed Selley  |  Nov 16, 2011
A heady combination of state of art digital and a valve output results in impressive performance A DAC that offer non oversampling (NOS) output options alongside conventionally filtered ones is a rarity, making the AMR CD-777 – which is both CD player and outboard DAC – an unusual beast indeed. In fact it offers two NOS options, called Direct Mastering I and Direct Mastering II, two oversampling modes, 2x and 4x, and two upsampling modes, to 96kHz or 192kHz. The CD-777’s top plate incorporates the CD mechanism under a sliding panel; a small magnetic puck holds the disc firmly. To either side are ventilation slots.
Ed Selley  |  Jul 08, 2011
Well thought out and far more than simply a 'budget' product Designed by The Audio Partnership in central London and manufactured in large volumes in the Far East for distribution worldwide (including an exclusive deal with Richer Sounds in the UK), Cambridge Audio products have become synonymous with good performance at a competitive price. The Azur component range was revamped substantially a couple of years ago. Soon after its introduction we featured this Azur 650C player alongside its partnering 650A integrated amplifier in our Nov ’09 Group Test. To recap, while a bit more expensive than the 640 models they replaced, they featured a fresh-up and wholly improved design with wrap-around casework and substantial alloy fascias that belied their (still modest) price tags.
Ed Selley  |  Jul 08, 2011
A sophisticated design with many likeable features Although the most affordable player in this Canadian specialist’s Moon range of components, the CD. 5 nevertheless is a solidly built machine with a sculpted front panel and sturdy metal casework enhanced by fluted detailing in the side cheeks. Its PCB has pure copper tracings and gold plating, and while the digital and analogue audio circuits are mounted on a single circuit board the company is at pains to point out that is in order to minimise signal path lengths – and each has its own respective ground plane to reduce interference and signal degradation. Simaudio claims its proprietary CD drive system comprises hardware and software developed in-house, while the DAC employed is a 24-bit/192kHz-capable Burr-Brown PCM1793 with 8x oversampling digital filter.
Ed Selley  |  Jul 08, 2011
A svelte Swede with performance to back up the looks Replacing the CD31, this new CD32 has been designed alongside the I32 integrated Class D amplifier [HFN Jun ’11]. Sweden’s Primare company has always had an eye for handsome design and while the appearance of these latest 32 models is broadly the same as the products they supersede, each component has been enhanced by the inclusion of a white-coloured, variable-brightness organic electroluminescent display (OLED) panel that adds real finesse. The CD32 is housed in an alloy/steel chassis and is beautifully finished; balanced outputs match the balanced inputs of its partnering amplifier. Separate PCB modules featuring SMDs are used to isolate signal paths while keeping them as short as possible, a regulated power supply employing an R-core transformer with separate windings for mechanical, analogue and digital audio circuits, while a separate switch mode supply powers the player’s microprocessor.
Ed Selley  |  Jul 08, 2011
The Danish brand continues to be as unconventional in sound as appearance Danish company Densen has updated its top CD player, the Beat 440, to include a coaxial digital input, so that its internal D-to-A converter and output stage can be used for an external source ‘like a Sonus system, a Squeezebox or another digital source’, to quote the company’s recent announcement of this latest B-440XS model. Despite its slim profile and svelte cosmetic design, the player is quite a heavyweight at 8kg. Under the brushed aluminium casing its regulated power supply employs a 300VA transformer alongside substantial reservoir capacitors. Densen states that the digital and analogue stages, microprocessors, and front panel dot matrix display all have individual supply arrangements designed to avoid interference.
John Bamford and Paul Miller  |  Jun 08, 2011
Rugged construction, distinctive cosmetic design and the inclusion of a valve output stage combine to make this luxurious CD player stand out from the crowd Ever since the introduction of the compact disc format – the early 1980s, if you can remember so far back – audio perfectionists have argued there’s something ‘not quite right’ about the fidelity of sound it produces. The fact is, despite CD’s finite resolution capability, we’ve all got at least a few discs in our collections that blow our socks off. Wouldn’t you agree? Nevertheless, to tweak its sound, to ensure that CDs sounded more organic and less matter-of-fact, specialist manufacturers far and wide have long experimented with various digital filter implementations and designed proprietary analogue output stages for their players in an attempt to sweeten the sound of what analogue lovers disparagingly refer to as ‘digititus’. The first to make a CD spinner with high-end pretentions that employed valves in its output stage was California Audio Labs.

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