LATEST ADDITIONS

Ken Kessler  |  Nov 30, 2020
This month we review: Aretha Franklin, Count Basie, The Doll Squad and Whitesnake.
Ken Kessler  |  Nov 30, 2020
This month, we review: The Guess Who, Grateful Dead, Joe Jackson and Keith Relf.
Mike Barnes  |  Nov 30, 2020
This month we review: Bill Callahan, The Lemon Twigs, Motorpsycho and Tricky.
Steve Harris  |  Nov 30, 2020
This month we review: Chick Corea, Rymden, Artemis and Jo Harrop & TRYPL.
Christopher Breunig  |  Nov 30, 2020
This month we review: R Strauss, Paul Lewis, Rodrigo, Beethoven, Brahms, Debussy, Falla, Franck, Mendelssohn, Mozart, Ravel, Schubert, Schumann, Tchaikovsky, and Wagner.
Review: Andrew Everard, Lab: Paul Miller  |  Nov 27, 2020
hfnoutstandingIt looks like the S5 stereo power amp, both inside and out, but the Michi M8 monoblock is altogether more powerful and, as a result, offers a sound with a charm all its own

You'll have to examine the £5399 Michi M8 monoblock power amp very closely to see how it differs from the company's S5 stereo model, reviewed previously alongside the £3299 P5 preamplifier [HFN May '20]. The two are the same price and size, look identical and have much the same 'ask a friend to help' mass. In fact, the M8 weighs marginally less than the S5, at 59.1kg – the difference presumably accounted for by the need for two-channel inputs on the stereo amp whereas the mono version has only single-channel connections, on both balanced XLR and unbalanced RCA sockets.

Christopher Breunig  |  Nov 26, 2020
Written under duress during four months in spring 1937, this would become his most popular work. Christopher Breunig sets out the background and suggests recordings

New pieces by composers Harrison Birtwistle or Peter Maxwell Davies, say, will have received polite applause and a few boos from the audience at their premieres. But no government response.

Review: Tim Jarman, Lab: Paul Miller  |  Nov 24, 2020
hfnvintageThe sweet spot in a three-strong series of late '80s amps, this high current integrated promised to handle low impedance speakers without breaking a sweat. We listen...

Most hi-fi enthusiasts know how many watts their amplifier can produce, but does that figure tell the whole story? In the early '80s, Harman Kardon's HCC (High Current Capability) range of integrated amplifiers gave listeners another number to think about, which was how much current an amplifier was able to source.

Review: Andrew Everard, Lab: Paul Miller  |  Nov 23, 2020
hfnedchoiceOne of a growing choice of 'audiophile' network switches, this one comes from Digital Music Library specialist Melco. Can this work magic in any networked system?

When Japanese-based Melco launched its first 'Digital Music Library' [HFN Feb '15], it more or less started a trend for audiophile music storage devices, and these days there's no shortage of rivals out there, all claiming to deliver the best possible sound for your network audio. However, its first 'Audiophile Dataswitch' enters a somewhat different arena, where it's not exactly a pioneer.

Review: Ken Kessler, Lab: Paul Miller  |  Nov 20, 2020
hfnoutstandingOne of a trio of small but substantial add-ons, the MX-DAC joins Musical Fidelity's partnering MX-HPA headphone amp and MX-Vynl phono stage. Is this another steal?

Imagine the dilemma when Pro-Ject acquired Musical Fidelity: the overlap with the former's Box range and the latter's MX models created an in-house rivalry in the 'affordable audiophile' sector. Both produce pint-sized ranges with matching phono stages, headphone amps and – of relevance here – beer-budget DACs. Musical Fidelity's MX-DAC, at £499, is a direct challenge to Pro-Ject's Pre Box DS2 Digital [HFN Nov '17] and a few others in the family, but the lineups are distinctive enough to cause no sleepless nights.

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