LATEST ADDITIONS

Steve Harris  |  Apr 08, 2026  |  First Published: May 01, 2026

Steve Harris on the UK-based, classical music-focused streaming and download platform that aims to give its artists a fair share of the pot – while still looking out for lovers of Compact Disc

Mark Craven  |  Apr 08, 2026  |  First Published: May 01, 2026

Wealth of content, value for money, easy playlist creation... You don’t need to be a member of Gen Alpha to appreciate the benefits of music streaming, says a fully signed-up Mark Craven

Jim Lesurf  |  Apr 08, 2026  |  First Published: May 01, 2026

‘Browned off’ by the state of vintage books and magazines that have been digitally archived, Jim Lesurf is working on a software cure. If only it was that easy to ‘fix’ analogue tape and CDs

Barry Willis  |  Apr 08, 2026  |  First Published: May 01, 2026

EQ controls are a vital part of any mixing console but have fallen out of favour in hi-fi – leaving Barry Willis stumped when audiophile friends ask for help in fine-tuning their system sound

Barry Fox  |  Apr 08, 2026  |  First Published: May 01, 2026
Having filled our homes with audio technology, manufacturers want to do the same to our motor vehicles. But, asks Barry Fox, is being ‘lost in the moment’ while at the wheel a good idea?
Ken Kessler  |  Apr 08, 2026  |  First Published: May 01, 2026

As the jazz world celebrates Miles Davis’ centenary, Ken Kessler brings you 20 recent vinyl releases that showcase him at his best – and the artists that he influenced

It will not go unnoticed by the jazz community nor the record industry that 2026 marks Miles Davis’ centenary. Leading up to it, Mobile Fidelity, Craft and other labels have been rewarding audiophiles with beautifully remastered LPs from all points in his career, among them stunning box sets from 1950s sessions, major albums reissued in One Step form, live recordings, Davis’ forays into rock/fusion and much more. He produced – according to the best sources – over 60 studio albums and at least 35 live albums. The actual amount of his output is a conundrum, like the man himself.

Review: Andrew Everard,  |  Mar 25, 2026  |  First Published: May 01, 2026

This month we review and test releases from: Johannes Hustedt/S. Speidel, Gregory Hutchinson, Sankt Otten, Hanna Paulsberg Concept/Elin Rosseland, and Ingi Bjarn

Peter Quantrill  |  Mar 25, 2026  |  First Published: May 01, 2026
The first Romantic cello concerto – and for some, the best – asks its soloists to think like a poet or a pianist, explains Peter Quantrill, as he surveys the options on record

According to an eminent cellist (perhaps you can guess which one...), pianist Martha Argerich’s favourite concerto is this one – not any landmark piece of the piano literature, but the Cello Concerto which Robert Schumann wrote, in a typically inspired frenzy, during two weeks of October 1850.

Review: Andrew Everard,  |  Mar 25, 2026  |  First Published: Apr 01, 2026
hfnoutstandingTrickled down from TAD’s existing Class D power amplifiers and partnering preamp, the A1000 is the first integrated model designed to complement its storied Evolution series

Flying in the face of received hi-fi wisdom that presumes absolute sonic purity is best achieved with separate pre/power amplifiers, integrated amplifiers are having something of a renaissance. Aside from the entry-level and mid-market, where one-box amplification has always been the go-to choice, there’s now a good selection of high-end models from the likes of Rotel’s Michi X3 S2 [HFN Jan ’24], starting from just under £6000, to the massive Dan D’Agostino Momentum MxV [also HFN Jan ’24], yours for just short of £100k when fully loaded with DAC and phono modules.

Review: Jamie Biesemans,  |  Mar 20, 2026  |  First Published: Apr 01, 2026
hfnoutstandingFrom the Premium Audio Company Technology Centre in Osaka, part of the diverse US Gentex Corporation, Onkyo returns to its specialist hi-fi roots with a new pre/power

Onkyo has carved a name for itself as a leading maker of AV receivers, but the Japanese company has never lost sight of its two-channel roots, and neither have its fans. Onkyo’s M series power amps, including the M-504 from 1987, still trade for hefty prices on the secondhand market. Aside from its sonic capabilities, that model is valued for its large VU meters, a trend not lost on Onkyo when it came to setting the aesthetic for its new M-80 power amplifier. Paired with the P-80 streaming preamplifier, the system delivers the convenience demanded in 2026.

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