Released in October 1974, this was the first Island Records LP with the re-formed Wailers and its all-female backing group, The I-Threes. It sold over 100,000 copies and prompted interest in the States, many critics now citing it as the greatest reggae album of all time
By the mid-1970s the UK had already enjoyed a lengthy relationship with Caribbean music, from the gentle exotica of calypso to its more syncopated cousin, reggae and the upbeat ska.
With its now famous front cover showing the son of drummer Butch Trucks, the band's fifth album was the sound of a group striving for renewal after the tragic deaths of two of its members. Yet the album's success would only sour the relationships between them
In many ways it was remarkable that The Allman Brothers Band's Brothers And Sisters was made at all, arriving as it did after the deaths of two of the group's members within a year, and drug abuse by the musicians and their entourage having spiralled out of control. The fact that it was also their greatest commercial success still feels rather hard to believe.
Released in 1973, the singer's 16th album marked his transition from child star to a musically mature performer able to grapple with the social issues of the day and make sense of them for an audience wedded to pop. And he was just 22 years old...
Stevie Wonder's 1973 album Innervisions is widely regarded as one of his best and has featured prominently in magazine polls of the greatest albums of all time. But apart from all the plaudits, it's astonishing that it was his 16th studio album and was released shortly after he had turned 23. At that point the man born Stevland Judkins had already been in the music business for a decade – his single 'Fingertips' had topped both the Billboard Hot 100 pop singles and the R&B singles charts when he was just 13 years old.
Released in November 1983, the band's third album for RCA Records went to No 1 in the UK, No 10 in the States' Billboard chart and was later certified platinum. Not bad for an LP recorded and mixed in part of a North London church in just three weeks...
In the post-punk era of the late '70s many new wave groups chose a name beginning with 'the' to differentiate themselves from what had gone years before. And often their choices were deliberately low key, which gave us names like The Trainspotters, The Members and The Tourists.