It's taken three years, but it was worth the wait: D'Agostino's Relentless Preamplifier has arrived, and it's as much of a revelation as the matching power amplifiers
You gotta love items with absolutely perfect names: 'Land Rover Defender', 'Rolex Explorer', 'Fender Jazzmaster'. When founder and chief engineer, Dan D'Agostino, dubbed his assault on the high-end 'Relentless', with cost-no-object flagship monoblock power amps [HFN Mar '20], he might have been referring to himself, as that is how he approached the task. With this matching three-chassis Relentless Preamplifier (£159,500), he's raised the bar once more.
Stateside tube specialist, ModWright, trickles down tech from its Reference PH 150 into a more affordable all-valve MM/MC phono preamp, featuring an outboard PSU
Nothing yet has convinced me that we have seen any period, since hi-fi separates became a 'thing', when there were more phono stages than we have right now. I say this because the ModWright PH 9.0's price of £2900 puts it smack in the middle of an inordinately crowded sector. I'm obviously being naïve here, or just pretending that you can still go into any number of hi-fi shops and ask, 'Can I compare a few phono stages?'.
Hot on the heels of its tube hybrid integrateds comes this altogether cooler solid-state amplifier from Danish brand Copland. It packs on the style while also packing a punch
Nothing causes more consternation than a product seemingly 180 degrees at odds with a company's core philosophy, whether hi-fi, cars, watches, what-have-you. Audio Research dealt with the repercussions of its first solid-state amp… but an all-transistor amp from the equally tube-centric Copland? Not its first – these were the mid-'90s CSA8/CSA18 – so the CSA70 probably won't cause too much of a ruckus despite the absence of bottles.
This Brit-brand's range of audiophile pick-ups grows yet again with a sub-£1000 model slotting between its entry-level MM and flagship MC. Will the Sabre cut through?
In the heated-up marketplace that is 'LP Playback Circa 2022', and as with the ModWright PH 9.0 phono stage, we are also experiencing a surfeit of cartridges, tonearms and decks. With so crowded a playing field as this, Vertere – about as iconoclastic a manufacturer as analogue has seen in recent times – has to make its Sabre cartridge stand out from the rest. The company has chosen to address a usually neglected niche: true high-end moving-magnet designs.
PrimaLuna's tradition of user-tweakable tube amps continues, this time by 'tweaking' its own EVO 300 model with a solid-state output stage. Welcome, PL's first hybrid...
OK, OK, there are those who think 'hybrid' is a dirty word. If your glass is half-empty, it signifies compromise, or – worse – indecisiveness. If you're a cynic, then it's purely a commercial choice. But if your glass is half-full, then it's a convenient solution to various problems. As PrimaLuna has only ever made all-valve amplifiers, the company's first hybrid needs some explaining. More to the point, at £6198, the PrimaLuna EVO 300 Hybrid – clearly related to the all-tube EVO 300 [HFN Mar '21] – is its costliest product.
With a range of affordable turntables and a trio of MM pick-ups already in its catalogue, the launch of a premium MC has been long-anticipated from this supremo of the vinyl LP
One thought dominated my recent rediscovery of the old Decca (now London) cartridges: there was much to be said for record labels also manufacturing playback equipment. As had Decca, EMI, RCA, and a few others in the past, Mobile Fidelity, aka MoFi, has continued to demonstrate this synergy through its portfolio of turntables [HFN Jul '19 and Jan '20], phono stages [HFN Mar '20] and three MM cartridges. The UltraGold is the first MoFi MC, and at £1499, it raises the brand's price point.
Not 'version 5' – the 'V' here refers to Wilson's cabinet material. In fact, the Alexx V is a 'v2' and it's a masterpiece
True to form, Wilson Audio allowed five years to pass before revising its Alexx floorstander [HFN Nov '16], avoiding that old high-end crisis of perceived obsolescence. As I always say, what was fine last Tuesday is still fine today, but Wilson tends to upgrade its models with major leaps, not tiny steps, and so it is with the Alexx V (£139,000).
Sometimes, only an integrated amplifier will do, even if you've £15k burning a hole in your pocket. AVID's gargantuan Sigsum is here to challenge any bias toward separates
Maybe one grows less ornery with age, or perhaps there was a nice guy inside of me waiting to crawl out from my crotchety self. It's just that, only a few years ago, the frustrating elements of AVID's Sigsum integrated amplifier would have had me cursing Editor PM for asking me to review it. So, there's minimalism here, and there's contrariness, and that's just the lack of a remote control. In a product a fiver short of £15,000.
Few brands can wrestle the combination of performance and adaptability from tube circuits with the flair of Manley Labs, and those skills are at the fore in the Chinook
It may be hard to believe, but I'm certain that the 2020s will be regarded as the golden age of standalone phono stages. How so? Simply by virtue of their plenitude, especially when you consider that this is vinyl's second time around. Manley's Chinook, continually refined during its near-decade in production, creates a phono amp sweet spot at £2699, blending fine sound with broad compatibility.
Exposure returns to its roots with a full-width integrated inspired by the improved circuit design of the recent 5010 monoblock power amps. Does 'old school' still cut it?
Nostalgia doesn't come any better than this: an integrated amplifier that looks like it escaped from the 1980s, all minimalist and line-level and 440mm wide. But Exposure has been around for close to 50 years, so this isn't some exercise in retro from an arriviste brand with cod heritage. Rather, the 3510 is a device for reminding people like me of (hi-fi) life in simpler times.