Review: Ken Kessler

As I stated in a recent column: I'll no longer be making apologies for high-end pricing. So £5500 is needed to acquire the DS Audio ES-001 Eccentricity Detection Stabiliser, a highly specialised device that allows for the correction of off-centre pressings. It is, I believe, the first attempt at resolving this issue since the demise of Nakamichi's TX-1000 and Dragon CT turntables (1982-1993), which tackled the issue mechanically using a sliding two-part platter [see Vintage Review, HFN Aug '16].

Although I am no devotee of horns, I adore two of the genre's specialists, Lowther and Klipsch, and recall the delights of the former's Bicor and Acousta. But I had thought Lowther had joined other defunct brands until I met Martin Thornton in late 2019, at the last pre-Covid Tonbridge Audiojumble. I was overjoyed to hear that he had acquired the company's remnants, designs, name and everything else needed to relaunch it. Three years on, and he's arrived with an all-new Lowther, dubbed the Almira.

One burning question is begged by the arrival of Pro-Ject's X2 B turntable and Phono Box S3 B phono stage: why did it take so long for the industry to simplify a balanced vinyl-playing front-end? It's not like balanced operation wasn't adopted by high-end listeners decades ago as superior to single-ended for both line-level sources – DACs and top-flight CD players – and pre-to-power amp connections. MC cartridges are inherently balanced. So why the wait?

Anyone who has followed Vertere's founder Touraj Moghaddam, all the way back to the early days of Roksan, cannot fail to have been impressed with his iconoclasm. A lifetime later, he's still making cutting-edge turntables from left-field. I knew he hadn't mellowed as soon as he dissuaded me from using a clamp or a weight on the LP, before removing the spindle with a flourish. That was my introduction to the SG-1 Super Groove, one model below the flagship RG-1 Reference Groove.