From the Vault

You don’t have to be a marketing analyst with a subscription to the Financial Times to understand why SACD might win the format war. Clearly, the SACD crew has delivered more hardware and (most importantly) in the order of ten times more software than DVD-Audio, according to the estimates of music vendors I’ve canvassed. All of which makes the arrival of a high-end SACD player with a mid-range price point something worth considering.

The Point 5 from Nightingale Acoustics is a very unusual loudspeaker, which might be said to wear its heart on its head. Starting at the other end, its body is a basically rectangular cabinet made of 19mm particle board with an integral front panel that is stepped inwards by 24mm over the top 180mm, the two levels being joined by a slope.

Few brands have been more dedicated to perfection than Alphason. Although the company is now also very successful as a supplier of hi-fi furniture, and has launched an innovative loudspeaker range, the £1860 Symphony turntable remains a flagship product.

For as long as hi-fi has existed, consumers have been forced to choose between pure sound quality and ergonomic/aesthetic delight. In short, the best-sounding equipment has always been either spartan, ugly, expensive, or simply a pain in the butt to live with or to use.

If the market for two-box CD transport/outboard DAC combinations has waned in recent years, then the same cannot be said for those little black boxes conceived to nestle in between. I refer, of course, to the add-on accessories often rather optimistically promoted as 'Jitter Busters'. Typically, these rely on a Crystal interface chip and one or two PLLs to suppress jitter while recovering the data clock.

This review deals with two first-generation DCC players. Philips and other companies are committed to this medium, to judge from the fast expanding list of pre-recorded software, if not in the range of hardware to match. DCC will certainly not oust CD: it is better to think of it as a stepping stone between analogue compact cassette and the digital audio systems of the future – systems that must surely avoid the cumbersome format of tape. But for the time being, these machines may be counted a success.

Feeling a bit like the boy who cried ‘Wolf!’, I still can’t help but regard this new range of speakers from Apogee as ‘ribbons for the masses’. But unlike the last models that inspired this sort of reaction – the Stages [p129]and Calipers – the new Centaurs really do make Apogees accessible to a wide range of consumers. And not only by virtue of their cost.