From the Vault

The US home market has such strength in depth that it can easily support a burgeoning digital audio sector. Any competently run company is capable of sustained expansion founded on a solid infrastructure in which both advanced research, and the development of high technology products, play a crucial role.

Hybrids are supposed to be the best of two or more technologies, and we've seen the approach used for all manner of products. The most feverish of hi-fi's Dr Frankensteins though, have always been devoted to loudspeakers.

For the past four years, I've been waiting impatiently for a stab at the electronics from Air Tight. I admit that the charm of the name, the absolute perfection of that moniker for a brand of valve amplifiers, caught my attention as much as did the obviously exquisite manufacture. The price, too, appealed, considering that these amplifiers promised peerless construction and attention to detail you just don't find this side west of a Jadis. At last there's a UK importer, so my wait is over.

The Series V tonearm is on sale at last, albeit in limited quantities. The fruit of many years of creative research, a handmade prototype 'V' was shown to prospective distributors at the American and German shows two years ago, but it has taken a long time to get the arm into production. Components were continually tried from prospective suppliers until the quality was right and when first shown in 1984, the price was targeted at what was then a very high level, at £750 or so. Some expressed doubts concerning its credibility at that price, indeed of any similarly-priced tonearm.

What could be more apt than the UK launch of the Well-Tempered Arm at the end of Bach's tercentenary year? Ken Kessler brought you the first picture of this iconoclastic tonearm as part of his April '85 CES report and even before then, he had inveigled California-based designer William Firebaugh into letting us have a review sample.

This issue marks the first anniversary of CD's UK launch, the Philips CD100 appearing on these shores in March 1983. There has been some comment in the press concerning a 'second generation' of CD players and this appears to be the case for some manufacturers.

It is June 1982 and Compact Disc is still more science fiction than fact (although both sides have carried out their groundwork and preliminary skirmishing). The scene is the restaurant of Boston's classy Copley Plaza Hotel and a handful of British hi-fi journalists, fresh from the Chicago CES, are dining with Ron Fone, the (English) President of Teledyne Acoustic Research. Over dessert arises the subject of turntables and the question, 'Why doesn't anyone – apart from Rega, or Thorens – produce a good mid-price mass-market deck?'.