LATEST ADDITIONS

Review: David Price,  |  Jun 19, 2019
hfncommendedAn unusual blend of traditional tech and modern design practice, here's a deceptively capable floorstander

Sometimes you can be too clever by half. The pursuit of perfect sound, such as it is, takes many loudspeaker manufacturers way off-piste into all sorts of weird and wonderful drive unit types, cone materials and radical cabinet shapes. Yet there's a decent body of evidence to suggest that a conventional but well made box speaker - complete with high quality drive units that don't try to trip the light fantastic - can deliver just as impressive results.

Review and Lab: Keith Howard  |  Jun 19, 2019
hfncommendedShort of having a dedicated generator in your garage, you are not going to get cleaner mains than from PS Audio's new Power Plant, which is bigger and better than ever

In a game of audiophile word association, 'mains regenerator' will elicit the response 'PS Audio' just as surely as 'electrostatic headphones' does 'Stax'. PS Audio can't claim to have introduced mains regeneration to high-quality sound reproduction – that distinction belongs to Linn Products and the Valhalla board for the LP12, introduced in 1982. But nobody generalised on that specific, realising that a regenerated mains waveform might bring improvements to audio components other than a turntable's synchronous AC motor, until PS Audio introduced its original Power Plant, to a somewhat bemused hi-fi industry, in 1998.

Steve Sutherland  |  Jun 18, 2019
He has penned a dazzling succession of magical melodies, writing many of the most successful hits in the history of pop with theme tunes and Oscar-winning movie scores to his name too. But let's not forget his work as a producer, says Steve Sutherland

They say you can't teach an old dog new tricks but I know for a fact that's a lie. I mean, I was 40 years old when I suddenly learned the difference between a gig and a concert and that the latter demanded the audience behave a mite more decorously than I'd been previously used to.

Review: Andrew Everard,  |  Jun 14, 2019
hfncommendedPart of the Minnesota brand's compact Evolution One series, this 'Asynchronous Network Bridge' can feed a DAC with streamed music, or be used straight into an amp

Why can't products just be what they claim? Elsewhere in this issue you'll find a high-end network player that's also a very fine DAC, and a very affordable preamp that comes with a built-in tuner and power amplification. It's all very confusing – and then along comes Bel Canto's £1500 e.One Stream, launched at last year's Hi-Fi Show Live in Windsor, and demonstrated in an all-Bel Canto system with YG Acoustics speakers. An unassuming compact component, its 'half-width' casework impeccably finished in a choice of black or silver, the e.One Stream purports to be an 'Asynchronous Network Bridge'.

Review: Ken Kessler,  |  Jun 12, 2019
hfnoutstandingA modern integrated amp with the valve du jour, Copland's CTA408 leaves nothing out and delivers the lot – could this be the biggest bargain in high-end audio?

Of late, I have been banging on, to the dismay of many, about how high-end audio has priced itself beyond any regard for reality. That said, context is everything. So, if I tell you a burger can cost £18 in a London restaurant and that Copland's CTA408 integrated tube amp is actually a bit of a bargain at £6398, please accept that I'm painfully aware the latter sum is a fortune to many, but the former is highway robbery. Eighteen quid for a burger!

Review: Andrew Everard,  |  Jun 11, 2019
hfnoutstandingThe new flagship player network player from Naim ups the ante – not to mention the price – from the company's previous range. Is the performance elevated, too?

The ND 555, sitting at the top of Naim's latest three-strong network player/streamer/call-it-what-you-will range at £12,999, isn't a direct replacement for the 'old' NDS. Yes, that player is now discontinued, but note I said the ND 555 isn't a 'direct' replacement – after all, the new model is more than twice the price of its forebear...

Steve Sutherland  |  Jun 11, 2019
Part concept album, part concoction of West Coast rock and jazz... Steve Sutherland hears the 180g reissue of an LP from 1970 with lessons we can learn from today

If there's a lazier fellow on the face of God's green earth than Jimmy Page, boy, I'd sure like to meet him. Yes, that Jimmy Page, guvnor of Led Zeppelin and hitherto legendary guitar god – it's the 'hitherto' bit that gets my goat.

Review: James Parker,  |  Jun 06, 2019
hfncommendedA group of ex-Tannoy engineers bring their experience to bear on a new speaker brand

As past reviews have noted, the market's not exactly short of budget speaker offerings. Though prices down at the entry-level have shown an upward trend – after all, the £100-a-pair 'superboxes' of a decade or two back really wouldn't be sustainable these days – there's also an argument for saying there's not exactly a crying demand for new speaker brands.

Mike Barnes  |  Jun 06, 2019
Released in the UK at the tail end of a decade that was becoming defined by tribalism and industrial strife, this eponymous debut drew on the energies of both punk and ska music, bringing the band's mission to promote racial equality to the mainstream

Ska originated in Jamaica in the late 1950s and was first taken up in the UK in the early '60s by the mods. It began to gain mainstream popularity towards the end of that decade, yielding hit singles such as The Pioneers' 'Long Shot (Kick The Bucket)', Desmond Dekker's 'The Israelites', Jimmy Cliff's 'You Can Get It If You Really Want' and 'The Liquidator' by the Harry J Allstars.

Christopher Breunig  |  Jun 05, 2019
A turning point for the composer, this great romantic piece was introduced to a wider audience with the film Brief Encounter. Christopher Breunig offers his library choices

Anyone who has seen the 1945 British film classic Brief Encounter will remember the music that enhanced the performances by the two principal stars, Celia Johnson and Trevor Howard – Rachmaninov's Second Piano Concerto. (The pianist for the soundtrack was Eileen Joyce.)

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