This month we review: BBC Nat Orch Wales/Jonathan Berman, Thomas Guthrie, Barokksolistene, Molly Netter, Kate Maroney, Gene Stenger, Dashon Burton, et al and Asasello-Quartett.
Rising phoenix-like from the ashes of Deltec Precision Audio in 1992, the 'continuity brand' DPA retained designer Robert Watts' flair for innovation. How does it fare today?
The story of DPA is not uncommon among small and specialised hi-fi manufacturers. Arriving in 1992, it actually represented the second iteration of a company co-founded by Robert Watts (who has since gone on to be digital design consultant at Chord Electronics). And while Deltec Precision Audio, which debuted in 1984 with its CTA80 preamplifier, had ultimately shut up shop in the early '90s, the ideas behind its original models clearly had some merit – it was soon back with Watts onboard, albeit under a slightly different name.
There's more to this slender, stylish Italian floorstander than striking wood veneers as trickledown hits the target
Think Sonus faber, and the chances are you'll imagine speakers with luxurious finishes and price tags to match. After all, the company used the 2024 CES event to roll out its Suprema speaker system, comprising two main 'towers' and two subwoofers, with a £695,000 price tag. But such lofty ambition also brings the option of 'trickling down' new technologies to less expensive models, including the £2999 Lumina V Amator floorstander we have here.
Audiophiles are assaulted by a fog of noise, and not just from the Internet. Chord aims to remove the hash from our wired Ethernet.
Filters, particularly AC mains filters and regenerators, have long been an audiophile staple but the genre has expanded in recent years to accommodate our embrace of digital and streaming audio in particular. With 'high speed' digital transmission comes the prospect of a sea of extraneous noise and interference, from both outside and inside the 'system loop', that washes though our equipment. Jitter in the digital domain and RF-related IM and other distortions are the least of what we understand as the audible consequences of this entirely unwanted hash.
Inspired by the diminutive and still current Accordo, the Goldberg variation features a larger cabinet and bass/mid driver, and integral crossover. Is bigger always better?
Odd though this might sound, it bothers me when PM gives me a sequence of exceptional loudspeakers to review. Can there really be that many miraculous designs, one after the other – or am I growing soft? Following models from DeVore Fidelity [HFN Aug '23] and Wilson Audio [HFN Sep '23], and reborn LS3/5As, I find myself with a new Franco Serblin speaker that has rocked my world. The Accordo Goldberg could be, overall, the best yet to come out of the fertile brain of the inspirational if, sadly, late designer.