LATEST ADDITIONS

Steve Harris  |  Nov 20, 2019
This month we review: Joel Ross, Alan Barnes, Andrew Mccormack and Wes Montgomery
Christopher Breunig  |  Nov 20, 2019
This month we review: Sibelius, Elgar, Mendelssohn and R Strauss.
Review: David Price,  |  Nov 19, 2019
hfnedchoiceRedesigned from the ground up, Klipsch's all-new Reference Premiere series leverages over 70 years of loudspeaker history. We audition the largest of its bookshelf trio...

With no shortage of standmount loudspeakers vying for our attention, any newcomer needs to stand out from the crowd. And few stand out as boldly as Klipsch's £625 'Reference Premiere' series RP-600M, arriving from a company with an auspicious portfolio of exciting-sounding horn-loaded loudspeakers [HFN Jun '19], all dating back to the first ever Klipschorn model launched in 1946.

Review: Andrew Everard,  |  Nov 18, 2019
hfnoutstandingFar from being just cute and compact, Pro-Ject's Box Design range is now all grown up – as this high quality CD/DAC/preamp combination so vividly demonstrates

Considering where Pro-Ject's Box Design range started, it's come a very long way. It all began with a compact and very affordable phono stage, the original Phono Box, launched as an interface between the company's wildly successful lineup of turntables – which arguably spearheaded the entire 'vinyl revival' – and the amplifiers of the time, many of which had long since dispensed with inbuilt phono equalisation.

Basil Lane  |  Nov 15, 2019  |  First Published: Aug 01, 1980
Basil Lane looks at stylus progress and the van den Hul tip

Carbon is one of the most common and versatile elements found on Earth. In its purest form it has the odd characteristic of being what chemists call allotropic. That is to say, it can appear in more than one distinct form of the same state.

Reviews: Hi-Fi News Team,  |  Nov 14, 2019
This month we review and test releases from: Bruce Levingston, Dominique Fils-Aimé, András Schiff, Doe Paoro, and Guy Braunstein, BBC SO/Kirill Karabits.
Review: Adam Smith,  |  Nov 13, 2019
hfncommendedBeing 'designed in France and built with passion', the IA350A integrated amplifier from YBA's Passion series promises high quality with more than a sprinkling of Gallic flair...

Agood hi-fi system should invoke 'passion' in the listener – be that an urge to crank-up the volume, to play an air guitar or wave an imaginary baton. French brand YBA knows this only too well, bestowing this particular moniker on its penultimate lineup of models. Coming in below its Statement units, but above Design, Heritage and Genesis, the six-strong Passion range also includes the PRE550/AMP650 pre/power amplifiers [HFN May '18].

Review: Andrew Everard,  |  Nov 12, 2019
hfnoutstandingThe latest – and largest – model in Focal's Kanta range combines its signature style with innovative materials

You might be tempted to see the Focal Kanta range as Utopia-lite: while the loudspeakers in what is now a three-strong lineup are one-piece designs, lacking the adjustable articulation of the flagship offering, they do echo the company's Utopia style [HFN Dec '18]. This is done by shaping the front baffle so that, in the £9000 Kanta No3 we have here, the two bass drivers are in a section of baffle sloping gently back from bottom to the midpoint where the tweeter is mounted, while the midrange driver at the top is slanted slightly downwards.

Steve Sutherland  |  Nov 11, 2019
There's not a dud among all nine tracks here, declares Steve Sutherland as he listens to the recent 180g reissue of Jonathan Richman's proto-punk debut LP

According to that top old egghead Brain Eno, 'The first Velvet Underground album only sold 10,000 copies, but everyone who bought it formed a band'. One of those is a weird young man from a place called Natick, some 17 miles West of Boston, Massachusetts. The little guy's name is Jonathan Michael Richman and he was once so obsessed with The Velvet Underground that he quit school and skipped off to New York to seek them out.

Christopher Breunig  |  Nov 08, 2019
Held back from performing in the West until he was 45, the Odessa musician could be idiosyncratic or sound overwrought. Christopher Breunig looks at his life and legacy

Wait until you hear Richter' was the reaction to praise when Soviet pianist Emil Gilels made his 1955 States debut. And whereas he and violinist David Oistrakh both performed with American orchestras that year, audiences had to wait a further five before the authorities allowed Gilels' Ukrainian colleague to appear at Carnegie Hall, New York, and in Boston and Chicago.

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