Hi-Fi News Staff

Hi-Fi News Staff  |  Nov 11, 2014  |  0 comments
Rated at 180W/8ohm, Quad’s Platinum Mono power amp is for those who crave more power than offered by the Elite QSP. Concurrent with its release is the Digital Media Player: a logical progression for those enthusiasts who have long enjoyed the earlier 99 Series CDP-2. While there are no analogue inputs, the DMP does adds a USB input and digital outputs include one each of Toslink, coaxial, BNC and AES/EBU via XLR. Both the Monos and the DMP provide balanced connection via XLRs for the main line-level output from the preamp and input to the power amps.
Hi-Fi News Staff  |  Nov 11, 2014  |  0 comments
If proof were needed of Bryston’s mettle for embracing the modern world beyond purist two-channel analogue pursuits, it’s the B135 SST2 C-Series Integrated Amplifier. While the unit reviewed here is two-channel, purist and analogue, it can be fitted with a DAC module for £1575 that adds two coaxial and two Toslink inputs. Other options include a £500 universal remote and an MM-only phono stage for £650. Bryston offers neither MC nor USB.
Hi-Fi News Staff  |  Nov 11, 2014  |  0 comments
The Virgo preamplifier and Centaur monoblocks reviewed here are models from Constellation’s ‘economy’ Performance range, yet total £72,500. As for Reference prices, we shudder to think… While a pretty enough design, the Virgo is rather anodyne, its greyness John Major-like. A plain-Jane outboard power supply feeds it via two umbilical cables, connecting at the back where you find rows of both XLRs and phono sockets for every input and output – four sources, two sets of outputs and RS232 and USB inputs for networks and firmware upgrades. At the front, the central panel’s 432x230-pixel screen is flanked by rotaries for balance and volume, while other operations are accessed through menus activated by a row of buttons under the display panel.
Hi-Fi News Staff  |  Nov 11, 2014  |  0 comments
When Devialet’s D-Premier was launched [HFN Apr ’10] it appeared to offer everything – tremendous power, direct digital inputs and a uniquely slim form factor. Its beautiful industrial design was matched by the elegance of its technology, a hybrid of Class A voltage amplification with precision digital Class D current dumpers. Devialet first chose to implement HDMI as the digital interface of the future. But now we all know that USB is digital audio’s all-conquering interface.
Hi-Fi News Staff  |  Nov 11, 2014  |  0 comments
New to the UK market, the CDD-1 and AMP-150 are Gato’s flagship products, the visual design being the work of Kristen Dinesen. They are both so compact that you might even think that the 150W (rated) per channel integrated must be a Class D amplifier. In fact, it uses a single-MOSFET output stage (actually, a pair for each channel). The CDD-1 uses a Philips CD-Pro 2 mechanism and balanced dual-differential Burr-Brown D/A converters.
Hi-Fi News Staff  |  Nov 07, 2014  |  0 comments
The 752BD is an evolution of Cambridge’s successful 751BD [HFN Aug ’11]. There’s now an HDMI input on the front and the legends have gone from bright white to subtle grey, but they are otherwise identical twins. The 752BD is based on the popular MediaTek platform whose current incarnation includes the latest Marvell Qdeo video processor, giving the 752BD 4K upscaling, 2D to 3D conversionand 24fps conversion for DVDs andBlu-ray movies. Sonically too, much of the new machine is a direct port over from its predecessor.
Hi-Fi News Staff  |  Nov 07, 2014  |  0 comments
Oppo’s new BDP-105EU is a universal disc-spinning, network-streaming, digital hub, processor, preamp and audiophile DAC all rolled into one chunky and imposing package. The lush 32-bit ESS Sabre DACs from the BDP-95EU remain, and you can now feed these from the disc drawer, coaxial and electrical S/PDIF digital inputs, three type A USB sockets, front and rear HDMI sockets, wired Ethernet orWi-Fi, using the supplied dongle. While the ’95EU’s e-SATA port has been deleted, this machine now leverages Audio Return Channel to input audio from ARC-compatible devices, such as a TV, connected to either of the twin HDMI outputs. The inclusion of an asynchronous type B USB input allows the ’105EU to be hooked direct to your PC, and the Oppo is capable of decoding pretty much any common audio format up to 192kHz/24-bit FLAC.
Hi-Fi News Staff  |  Nov 07, 2014  |  0 comments
Marantz’s NA-11S1 is similar in functionality to its more affordable stablemate, the NA7004 streamer, in the sense that it’s effectively a DAC that also offers media streaming via Ethernet. But this new high-end design introduces the latest ‘Marantz Music Mastering’ digital signal processing and the option to play Direct Stream Digital (DSD) from a computer via USB. In addition to its rather niche DSD functionality, the unit also plays PCM at up to 24-bit/192kHz resolution (digital input and format permitting), in WAV, WMA, MP3, MPEG-4, FLAC and ALAC flavours. This comes into the unit via optical (up to 96kHz), RJ-45 LAN (Ethernet) or USB Type A and B connections.
Hi-Fi News Staff  |  Nov 07, 2014  |  0 comments
Welcome to a world of truly luxurious audio. As it costs as much as many hi-fi enthusiasts’ entire music systems, you’d be right to assume this MBL D-to-A converter aspires to being ‘up there’ with the best of them. . .
Hi-Fi News Staff  |  Nov 07, 2014  |  0 comments
Metrum Acoustics outboard DACs offer a specific appeal by implementing a no-frills approach to cosmetic design while cracking the DAC nut in a wholly bespoke fashion. The range, including this flagship HEX, eschews off-the shelf chipsets and are all non-oversampling [NOS] designs. Designer Cees Ruijtenberg was convinced higher audio performance could be achieved by using cutting-edge industrial application chipsets rather than traditional audio components. After much experimentation and listening, a suitable high-speed data acquisition chipset was identified that the company suggests handles 24-bit audio and sampling rates well in excess of the hi-fi standards.

Pages

X