Loudspeakers

Sort By: Post DateTitle Publish Date
Ken Kessler and Keith Howard  |  Mar 25, 2009
Some years ago, Magnepan produced a tiny panel for in-store display as a point-of-sale item. It was a miniature Maggie, maybe 18in tall, with sections cut away to show the technology. I asked Jim Winey, ‘Why not make them functioning speakers?’ But, alas, my first visit to Magnepan took place well before home theatre and Dolby Surround would deem small speakers desirable. But I loved the idea of a pair of ‘mini Maggies’ for the desk, or the bedroom, knowing they would never be realised.
Ken Kessler and Keith Howard  |  Mar 25, 2009
Has it really been more than 20 years since Acoustic Energy bridged the worlds of professional studio monitoring and domestic audio? Back in ’88, the former regarded the latter in the way that, say, Labour regards fiscal responsibility. AE was having none of it, and produced a classy, compact two-way monitor of true studio merit, sort of a UK answer to Wilson’s WATT. Given its diminuitive stature, most noteworthy was the AE1’s prodigious bass. Rear-ported and boasting a still-radical metal mid/bass driver, it begged to be positioned away from walls on solid 24in stands.
John Bamford and Keith Howard  |  Feb 25, 2009
I didn’t need much persuading to audition this sumptuous pair of floorstanders made by Revel, one of its flagship Ultima2 range. Priced a cool £11,000 they exude opulence from their sculpted front baffles in gloss black, highly lacquered cabinets finished in real wood veneer (ours were the mahogany version; also available in piano black) and hi-tech drive units. Revel’s Ultima2 range comprises the Studio2 that we have here, an even larger model called Salon2, a slim bookshelf that’s suitable for on-wall use dubbed Gem2 and the Voice2 centre speaker. Commensurate with price, attention to detail is fastidious; to ensure that each Ultima2 loudspeaker is matched to within a fraction of a decibel to its prototype reference, a final tuning process is conducted on all production units to ensure absolute uniformity.
Keith Howard  |  Feb 25, 2009
Siltech may be best known as a cable manufacturer but it already has a track record of branching out, in spectacular style, into other product areas. High-end watchers will recall that early in the new millennium Siltech introduced its limited edition 80W Single Ended Mono Triode valve power amplifier and matching preamp, which included novelties such as a specially manufactured output valve. Now from the Dutch company comes a statement loudspeaker design, the Pantheon, with a price tag of £65,000. Once again the engineering is novel and the production run limited – only 39 will ever be made.
Keith Howard  |  Feb 25, 2009
Approaching a reviewer to assess a product is simple: the manufacturer or distributor contacts the magazine and they arrange delivery. That’s it. One assumes that the product is suitable for the magazine, and it’s up to the editor to assign the reviewer. But never in my 25 years as a reviewer have I been so nagged, badgered, pestered, henpecked and begged to write a review.
Ken Kessler  |  Jan 31, 2020  |  First Published: Jan 01, 1990
An acoustic ribbon hybrid loudspeaker at a realistic price without the need for a huge amplifier. Too good to be true? Ken Kessler finds out...

Hybrids are supposed to be the best of two or more technologies, and we've seen the approach used for all manner of products. The most feverish of hi-fi's Dr Frankensteins though, have always been devoted to loudspeakers.

Martin Colloms, Ken Kessler  |  May 13, 2020  |  First Published: May 01, 1987
hfnvintageWith the latest Apogee, ribbon technology comes in a more affordable package. Ken Kessler's assessment follows Martin Colloms' review

The US company Apogee has expanded its range of open-panel loudspeakers, which began with the Apogee model itself. This was a large-scale design using three separate diaphragms, with pure aluminium ribbons for frequencies above a few hundred Hertz. Three other models are now in production, comprising, in descending order of size and price, the Scintilla [HFN Sep '85], Duetta, and now the so-called 'baby' of the group, the £2500 Caliper.

Trevor Attewell  |  Sep 27, 2019  |  First Published: Feb 01, 1982
Trevor Attewell examines a trend-setting loudspeaker from Ipswich

It is no exaggeration to state that the SL6 is one of the most interesting moving-coil speakers to come my way for a long time, and that it embodies significant advances in driver design. Many readers may find this surprising. After all, Celestion has traditionally been associated with the mass end of the market, its reputation justifiably built on product consistency and value-for-money rather than on innovation.

Trevor Attewell  |  Mar 26, 2019  |  First Published: Dec 01, 1976
With a pair of Quad ELS electrostatics as his benchmark, Trevor Attewell compares multi-driver loudspeakers from Leak, Lentek and Chartwell

Here we audition three models ranging in price from £250-£300 and all from British manufacturers. But which will top our trio when it comes to musical performance?

Pages

X