Outboard DACs

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John Bamford and Paul Miller  |  Sep 02, 2011
It doesn’t seem that long ago since D-to-A converters featuring USB sockets were something quite rare. How times have changed in just a few short years. Today pretty much all standalone DACs – including models from UK specialist manufacturer Chord Electronics – have them. Computer audio is ubiquitous in modern households, after all.
Review: Andrew Everard, Lab: Paul Miller  |  May 18, 2023
hfnoutstandingDebuted in the flagship Vivaldi, and now trickled down to the Bartók, dCS's APEX upgrade brings enhancements to the PSU, Ring DAC clocking and analogue output

Maybe it's a sign of the times, or the state of the specialist high-end audio market, but this latest version of dCS's Bartók streaming DAC, often referred to as the company's 'entry-level' model, is now almost twice the price of the original [HFN May '19]. Then, the Bartók was £9999, or £11,999 when fitted with the optional headphone amplifier; now the Bartók APEX, taking on board the company's latest package of enhancements, first seen in the Vivaldi APEX [HFN Jun '22], is £19,000, rising to £21,500 if you choose to take the headphone option.

Review: David Price, Lab: Paul Miller  |  Jul 02, 2019
hfnoutstandingWith the option of a high-quality headphone stage, the new entry-level dCS network DAC marks a walk on the wild side for the Huntingdon company. Can it succeed?

By way of celebrating its 30th anniversary, dCS launched the limited edition Vivaldi One streaming DAC/SACD player [HFN Feb '18]. It was a present to itself, and some of the company's most well-heeled customers. Now, however, dCS's gaze has turned from past to future as it debuts its new £11,999 Bartók streaming DAC/headphone amplifier. The non-headphone version represents a saving of £2000.

Paul Miller  |  Nov 19, 2011
Another digital masterclass from dCS but with added aesthetic charm. Down the years a great many words of praise have been directed at dCS products but I doubt that ‘stylish’ or ‘chic’ have often been among them. Well, the new Debussy DAC represents a big step in the right direction. Let’s begin the tour with that striking fascia, festooned with no fewer than 17 blue LEDs.
Review: Mark Craven, Lab: Paul Miller  |  Mar 11, 2024
hfnoutstandingNestled at the heart of dCS's three-box Lina headphone amp solution is the Lina DAC, now refreshed with APEX-level firmware as a springboard into its mainstream range

When dCS was founded in 1987, the idea that hi-fi hardware could be comprehensively upgraded without the need to lug it back to the shop might have seemed the stuff of science-fiction. Skip forward some 40 years, however, and firmware updates – delivered over-the-air for networked products – have become the norm. They're often used to squash 'bugs' and tweak minor settings, but what the Cambridge-based company has done with its Lina Network DAC is more noteworthy.

Review: Andrew Everard, Review and Lab: Paul Miller  |  Dec 02, 2022
hfnoutstandingAimed at very high-end headphone users, dCS's Lina Network DAC, Master Clock and Headphone Amplifier might also be the ideal compact system front-end for audiophiles

Headphone use has changed in recent years, from something to be endured through necessity to its own subset of hi-fi listening, with no shortage of ambitious and upmarket hardware currently available. Now dCS is on that bandwagon, for while it's been busy launching its APEX DAC technology for its 'full-size' offerings [HFN Jun '22] it's also developed the Lina, which is not so much a headphone amp as a complete playback system.

Review: Andrew Everard, Lab: Paul Miller  |  Nov 07, 2019
hfnoutstandingThe high-tech Cambridgeshire company has added a dedicated CD/SACD transport to its Rossini range – and it, and the updated DAC, are remarkably flexible devices

AdCS Rossini CD player? Doesn't the company already have one of those, usable as either a standalone device or as a transport for its range of digital-to-analogue converters? Well yes, and the Rossini Player continues in the range as a pure Red Book device because, at the time it was developed, dCS was unable to source a suitable SACD/CD combination transport.

Keith Howard & Paul Miller  |  Feb 05, 2009
The last time I was fortunate enough to have a dCS upsampler at home it was the Purcell, which was limited to upsampling PCM to PCM. Since then dCS has become a staunch advocate of DSD – the 1-bit, 2. 8224MHz coding system used in SACD – and so the Upsampler half of the Scarlatti pairing here (the other being the Scarlatti DAC) offers upsampling to either PCM or DSD. It’s the user’s choice, with dCS’s preference being the latter.
Review: Andrew Everard, Review and Lab: Paul Miller  |  Jul 07, 2022
hfnoutstandingLockdown afforded dCS's engineers the time and space to look at the implementation of its iconic Ring DAC afresh. The APEX upgrade is tested here in its flagship Vivaldi DAC

You know that old saying about the devil making work for idle hands? While the periods of lockdown over the past couple of years left a lot of hands idle in the hi-fi industry, the wisest turned this fallow period to good use, regrouping and rethinking. That's certainly the case with the engineers at Cambridgeshire-based Data Conversion Systems, better-known as dCS.

Review: David Price, Lab: Paul Miller  |  Feb 01, 2018
hfnoutstanding.pngHugely flexible, hugely capable and, well, just plain ‘huge’, dCS’s flagship Vivaldi four-box digital stack has been condensed into a one-box solution. So why a limited edition?

There comes a time when you have to pop the champagne cork, relax and have fun. That’s what dCS (Data Conversion Systems Ltd) has done with its new £55k Vivaldi One single-box disc player/upsampling DAC/streamer. It’s a limited edition of just 250 pieces, designed to celebrate the company’s 30th anniversary. In that time, the company has gone from being an Official Secrets Act signatory supplying advanced radar systems for the RAF towards the end of the Cold War, to one of the most respected high-end digital audio specialists around.

Review: Jamie Biesemans, Lab: Paul Miller  |  Jan 04, 2024
hfnoutstandingFollowing hard on the heels of Denon's DCD/PMA-1700NE SACD player/amplifier, this new network-attached DAC brings a host of streaming options – including HEOS

Our review of the Denon PMA-1700NE amplifier [HFN May '23] included the observation that the Japanese brand was missing a standalone streamer. A glaring oversight, it seemed at the time, as Denon in all other respects is a believer in offering similarly dressed separates for a neat hi-fi stack. So while you could pair the PMA-1700NE (or another PMA series amp) with a DCD series CD player or a Denon turntable, if you wanted to listen to your Tidal playlists you had to look elsewhere. The introduction of the £1399 DNP-2000NE closes the loop.

Ken Kessler and Paul Miller  |  Nov 30, 2011
Valve DACs are intrinsically anachronistic - Tim de Paravicini's new EAR-Yoshino DACute takes the retro attitude a stage further by sounding deliberately analogue

Hard to believe, I know, but the EAR-Yoshino 192 DACute Digital Audio Interface is the company’s first stand-alone D/A converter. The company has also produced CD players but, as main man Tim de Paravicini tells me, his previous experiences with digital mainly involved ‘bits of work for studios. ’ But it was this studio connection that led Tim to develop the 192 DACute.

Review: Jamie Biesemans, Lab: Paul Miller  |  Jul 21, 2023
hfncommendedBased in Chicago but with manufacturing in Serbia, the EarMen brand is developing its range at pace. The new ST-Amp DAC/headphone unit is a 'back to basics' audiophile hit

After collecting an EISA Award last year for a complete headphone system featuring a stack of four mini-sized separates – the Staccato, Tradutto, CH-Amp and PSU-3 [HFN Oct '22] – EarMen has doubled back with this minimalist ST-Amp. This is a book-sized, do-it-all unit combining a DAC and dedicated headphone amp, aimed at head-fi enthusiasts looking for a quick and effective path to high-quality desktop listening. So while the ST-Amp moniker might suggest it's simply a more affordable alternative to the aforementioned CH-Amp, it's really a different beast altogether.

Review: Jamie Biesemans, Lab: Paul Miller  |  Nov 14, 2022
hfnoutstandingA Serbian brand based in Chicago packs a streamer, DAC and headphone amplifier into three bijou cases, topped off with a bespoke outboard PSU. We lend an ear, man

Although UK readers might not recognise the EarMen moniker, it's certainly not a newcomer to the world of hi-fi. Its back story is quite convoluted, for although EarMen is based in Chicago, it's funded by the owner of Serbia's Auris Audio, Milomir Trosic, and most products are produced in the same Serbian factory. Auris is aimed at the premium market, with products including the Euterpe and the Nirvana – both headphone amplifiers lavishly adorned in wood and even leather – plus a neat line of luxurious-looking tube amps and even some turntables on offer.

Ed Selley  |  Aug 08, 2011
A very capable design with the added benefit of wireless connectivity Electrocompaniet’s new PD-1 is the largest DAC here and would be the most traditional in appearance but for its touch-sensitive display panel. It’s solidly enough built – although the review top plate on the review sample did rattle against the fascia. The PD-1 is unique in this group in two respects. First, it is supplied with a remote control, which allows the input source, output volume setting and display brightness to be adjusted.

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