LATEST ADDITIONS

David Berriman & Paul Miller  |  Jan 17, 2009
When I reviewed the CD-2 CD transport/player last year [HFN, April ’08], I liked its clean, smooth sound quality, especially when set to the internal DAC’s native 24-bit/192kHz rate. Although a CD player, it is principally intended as a transport (being built around a high-quality Pro2 CD mechanism). The DAC chip included, while good, is not a high-end device, yet Bel Canto managed to extract a very pleasing performance from it. I wondered what Bel Canto could do given a bigger budget for the processing and analogue circuits.
Richard Stevenson & Paul Miller  |  Jan 17, 2009
There is something about the Italian high-end that gets my juices flowing. It’s the style, the grace, the sheer passion that goes into the design – and the absolute certainty that there will flaws of epic, forehead slapping proportion. Exhibit A – the Audia Flight Pre remote control. Utterly gorgeous, CNC-machined from an aluminium billet and offering an innovative multifunction interface that keeps the button count to a luxurious minimum.
Christopher Breunig & Paul Miller  |  Jan 06, 2009
It was something of a surprise to open NAD’s substantially sized packing box to find the PP 2 is only 135 x 35 x 70mm (whd). The review sample came in a dark grey metal enclosure but a lighter ‘Titanium’ finish is available too (see picture). All you have to do is connect tonearm leads either to the MM or MC pair of labelled rear RCA phono input sockets, and switch accordingly, attach the arm earth lead to a screw terminal and plug in the ‘wall-wart’ mains transformer. Mains-on is indicated by a small green front-panel LED.
Andy Whittle and Paul Miller  |  Jan 06, 2009
Flying mole – now there’s an interesting name that would appear to fly against the face of convention. In this case, it’s the convention of Class A/B transistor amps and thermionic devices that glow in the dark. I am not even certain that they have moles in Japan. I’ve been to Tokyo a number of times and haven’t seen moles on the menu, so can only assume that they do not.
Paul Miller  |  Jan 05, 2009
Just one of some 20 Pro-Ject ‘Box’ series components, this little number is essentially an outboard – and self-powered – USB soundcard. Priced at just £75 and built into Pro-Ject’s now-familiar wrap-around casework, the hardware also comes with some software on a mini CD. Dubbed ‘Direct Streaming Technology’ this is an installer for Foobar2000, a media player that, on PCs at least, avoids the default Windows Kernel mixer. The idea is to stream ripped CD media over USB at its native 44.
Ken Kessler & Paul Miller  |  Jan 05, 2009
Canny audio manufacturers never seem to run out of new takes on old formats. Because of such lateral thinking, the humble and now familiar CD has weathered (easily) a few dozen silver disc variations, up to and including SACD and DVD-A, which achieved minimal market penetration. Leema’s equivalent of CD Viagra is to add so many DACs that you have to marvel not at the technological achievement, but at the price: the updated Stream still sells for under £1200. As the company puts it, ‘Sixteen 24-bit/192kHz multi-bit Delta-Sigma converters are used in Leema’s unique MD2 Active Differential Multi-DAC to produce an incredibly real and tactile musical performance with almost no noise and distortion.
John Bamford & Paul Miller  |  Jan 05, 2009
With its design team headed up by Dominique Giner, Metronome Technologie is a French high-end audio company founded in 1987. Alongside world famous hi-fi marques such as Koetsu, Audio Research, Krell Industries and Sonus faber, Metronome’s products are imported and distributed in the UK by Absolute Sounds of south-west London. Recent visitors to hi-fi shows at Heathrow may have come across Metronome’s magnificent Kalista Reference CD transport with matching C2A two-box DAC making sublime music in one of Absolute Sounds’ ‘Absolute Studio’ demonstrations, partnered with DarTZeel amplification and Magico speakers. While Metronome produces some slightly more ‘real world’ CD spinners such as the CD3 Signature (a mere £6900 for the transport), the Kalista line-up represents Metronome’s no-holds-barred statement products.
Ken Kessler & Paul Miller  |  Jan 05, 2009
It amuses me immeasurably that there’s a flood of new high-end CD players when the format is under serious threat. Even that über-geek bible, Wired, recently ran a blog titled ‘Vinyl May Be Final Nail in CD’s Coffin’ – rich stuff coming from the most digitised read on earth. So, are audiophiles now being implored to buy our ‘final’ CD players? In the face of MP3, high-def discs and other threats, there are still billions of CDs out there. And I can tell you right now that many of us will not be replacing our collections again.
Ken Kessler & Paul Miller  |  Jan 05, 2009
Predisposed as I am toward Nagra, the long-awaited CD player presents a quandary: Although this brand has a hold on my heart – I would gladly live forever with their valve electronics – I am increasingly distressed by the ever-spiralling pricing of high-end audio. Nagra, being both Swiss and high-end, is as guilty as any of widening the chasm between reality and sanity. £8500 for any CD player is to take the mickey. Yet something so ‘right’ about the wee Nagra CDP almost makes me want to forgive the pricing.
Andrew Harrison & Paul Miller  |  Jan 05, 2009
Italian hybrid amplifier specialist Pathos Acoustic unveiled its first CD player last year, the stylish Endorphin top-loader and has now already followed it up with a lower-priced alternative. Now while no-one could mistake the new Digit in its shoebox aspect case for the sci-fi statement of the Endorphin, Pathos says that the two CD players share the same technology inside, with the differences between them limited to the transport mechanism and the power supply. The Digit is designed to sit alongside the similarly-proportioned Classic One integrated amplifier, itself a more affordable version of the company’s more extended range of high-end valve/solid-state hybrid amplifiers. It’s a cleaner design than the Classic amp, though, without any bright red capacitors or transformer to populate the top board, nor the figured wood frontispiece.

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