LATEST ADDITIONS

Paul Miller  |  Nov 16, 2011
The latest improvements to a long-standing classic are subtle but extremely effective After launching the turntable range 20 years ago with the Model 30/2, SME founder Alastair Robertson-Aikman followed it with a lighter version called the Model 20 – thinner in upper chassis and subchassis plates, with a smaller, thinner platter and other reductions in mass. In 2006 SME released the 20 in a widened version that would accept a 12in arm. It was a huge success, so the Model 30/12 appeared to equal acclaim [HFN Mar ’09]. In the interim, the external power supply had been upgraded, and was made common to all models, while 2010 saw the introduction of a new black platter mat material.
Paul Miller  |  Nov 16, 2011
The American brand arrives in the UK with a design determined to make an impact Only recently have Spiral Groove products become available this side of the Atlantic. The SG2 turntable is determinedly luxurious, with an exemplary quality of finish. The SG2 eschews suspension in favour of constrained layer damping in its plinth and platter. The plinth has two thin layers of unspecified material separating three aluminium plates, while the platter comprises a thick phenolic layer followed by two thinner layers, one of vinyl, the top surface of graphite.
Hi-Fi News Staff  |  Nov 16, 2011
Clearaudio's most affordable moving coil design yet Clearaudio has a range of MM cartridges in its portfolio with price tickets to suit all pockets, but its moving-coils are decidedly high-end. So this new Concept MC is pitched at enthusiasts wanting a delicious moving-coil instead, and one that won’t break the bank. Its body is of aluminium magnesium alloy with a ceramic surface layer; it features a boron cantilever and Micro Line Contact stylus profile, with oxygen-free copper (OFC) coil windings in its generator. The angular body shape with centre line at the front makes it easy to align, threaded holes meaning that you don’t have to fiddle with screws and nuts.
Paul Miller  |  Nov 16, 2011
A classic British name returns with a real heavyweight Systemdek is back, with two brand new decks for vinyl aficionados, both high-end designs. There’s a tastylooking 3D Precision model and this go-for-broke 3D Reference. Given its eye-watering price, it was bound to be a serious high-end statement. And it’s a heavyweight piece of engineering indeed.
Paul Miller  |  Nov 16, 2011
A cost-effective Swiss offering that gets to the heart of the music With a background in developing delicate instrumentation (including Swiss time pieces), turning his hand to styli and cartridges seemed an obvious step for music-loving Ernst Benz, who founded Benz Micro and subsequently released a number of high-end MC cartridges from the 1980s onwards. In 1994 Ernst retired, selling Benz Micro to his friend and long time product collaborator Albert Lukaschek who still runs the company today. The Swiss pedigree is obvious from the packaging and accompanying accessories alone, which include a circular bubble level and stainless miniature screwdriver. The Micro ACE is the third model up in Benz’s MC-only product line, priced alongside a low output version distinguished by its red casework, and the cheapest to feature a solid boron cantilever and line contact stylus, rather than conical or elliptical profiles.
Paul Miller  |  Nov 16, 2011
The more affordable Paris V incorporates technology from the latest Delphi In 2009 Jacques Riendeau, brother of Oracle founder Marcel, recommenced work as chief designer in the re-formed Quebec company Oracle. The first result was the Delphi MkVI. Work from this was fed into the new Paris MkV turntable. Revisions to the Paris suspension aimed for better lateral stability: a ‘semi-floating’ subchassis is supported not on metal springs but on two fibreglass rods which terminate in Sorbothane rings.
Ken Kessler and Paul Miller  |  Nov 01, 2011
Emblematic of the evolution of the Chinese-made valve amp is PrimaLuna's ProLogue Premium - in case you hanker after a value-for-money integrated with no rough edges This year, my son turned 21 and graduated from university. That was enough of a reminder of time’s passage to depress me. Far less cataclysmic an indicator was another shock to the system (metaphorical, I stress) in the form of the PrimaLuna Prologue Premium Integrated Amplifier. It’s not that the original, which ‘legitimised’ Chinese-made valve amps for Western consumers, was shabby by any means.
Ed Selley  |  Nov 01, 2011
A very potent performer considering the accessible price In its most recent 15-Series line-up Rotel entered the brave new world of efficient Class D amplification with some of its models. It promotes them more for home cinema and custom installation duties rather than ‘pure audio’ systems, however. For high fidelity music reproduction Rotel still prefers to focus on tried-and-tested Class A/B solid-state designs, in which it has a fine pedigree. Cosmetically, the RB-1552 is identical to the more powerful ’1582, only the chassis’ reduced depth and lighter weight suggesting a smaller power rating here.
Ed Selley  |  Nov 01, 2011
The entry level Belles power amp has some charming characteristics This midi-sized power amplifier from American designer Dave Belles’ Power Modules company naturally has a similarly compact preamplifier to partner it, dubbed Soloist 3; there’s also an MM/MC phono stage. This is ideal for enthusiasts desiring a separates combo that requires precious little space. There are no frills here – while better known for its high-end amplifiers, the Soloist components are Belles’ entry-level models. Build quality is staid and workmanlike, without the gloss of more costly designs.
Ed Selley  |  Nov 01, 2011
A robust design that produces a sound noticeably free of adornment Famous for its uncoloured, bomb-proof monitors beloved of recording engineers the world over, ATC builds not just speaker drive units but also the amplifier power packs for its active speakers in true artisan fashion in its Gloucestershire workshops, populating circuit boards entirely by hand. Similarly, the company’s standalone pre- and power amps are individually hand crafted, only the metal casework is bought in from an external supplier. As mentioned on page 43, we reviewed the P1 and its partnering CA2 Mk2 preamp in March ’10. Since then the power amp has unfortunately crept up in price by some £250.

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