LATEST ADDITIONS

C. Breunig (Music); P. Miller (Lab)  |  Dec 01, 2014
It would be hard not to succumb to the very real charms of this programme of polkas, waltzes, etc, by the three sons of Johann Strauss – replete with effects like insects’ wings buzzing (string tremolandos in ‘The Bee’), cuckoo and other birds (‘Im Krapfenwaldl’), or the comic anvil blows of ‘Feuerfest’. Currently with an extended contract with the Pittsburgh Orchestra, the Austrian conductor Manfred Honeck – he first graduated from playing zither to viola – has made a special study of the genre. The playing is carefully balanced, the VSO set well back in the lively acoustic of the Salzburg Grosses Festspielhaus. But there’s a certain ‘flatness’ when you compare the champagne sparkle and variety to be found with Boskovsky’s mid-’60s Decca versions with the city’s premiere league Strauss orchestra, the Vienna Philharmonic, still sounding amazingly vivid as CDs.
J. Bamford (Music); P. Miller (Lab)  |  Dec 01, 2014
Often recording as ‘The Larry Goldings Trio’ this longstanding collective of American jazz virtuosi Larry Goldings (keyboards), Peter Bernstein (guitar) and Bill Stewart (drums) cover all manner of musical moods in their latest collaboration Ramshackle Serenade, from the rubato rumination of the album’s title track to the Brazilian-flavoured ‘Luiza’, interspersed with a smattering of blues, swing and soulful grooving to keep listeners enthralled throughout. The seductively rich textures and colourful tones of Goldings’ Hammond B3 organ (so reminiscent of the sounds favoured by Focus’s frontman Thijs Van Leer) have been captured exquisitely by this impressively dynamic recording released on the German label. The musicians really do sound like they’re playing together in a believable space, spread across a wide soundstage. Great stuff! JB Sound Quality: 85% Hi-Fi News Lab Report Much of the ultrasonic energy arising from this digital recording is associated with the gentle percussion [as in track 8,above] but could also be a product of distortion from downstream limiters.
J. Bamford (Music); P. Miller (Lab)  |  Dec 01, 2014
American songstress Natalie Merchant has been an audiophile favourite ever since she departed the lead vocalist’s role from 10,000 Maniacs two decades ago. Her solo debut Tigerlilly was among the initial batch of albums selected by Warner to mark the introduction of the DVD-Audio format, while 1999’s Live In Concert featuring covers of ‘After The Gold Rush’ and ‘Space Oddity’ is a timeless hi-fi demonstration recording. She’s hardly prolific. This eponymously-titled release is only her sixth studio album – and having married, divorced, and raised a daughter it sees her songwriting reaching a high level of maturity as she touches on many personal issues.
Hi-Fi News Staff  |  Nov 18, 2014
Germany’s T+A has spent the last couple of years developing a completely new range of all-solid-state electronics: its ‘HV Series’. Built into an all-aluminium case, the PA 3000 HV amplifier’s individual sub-assemblies are screened in separate chambers. An upper compartment houses the preamplifier and voltage amplifier stages, while the electronic control processor and circuitry for driving the display screen – fed by a separate power supply arrangement – sits in a recess machined out of the 40mm-thick aluminium front panel. A 10mm-thick dividing wall shields the top section from the left/right current amplifier stages and the unit’s massive power supply is in a lower compartment.
Hi-Fi News Staff  |  Nov 13, 2014
The Editor’s review briefing included the warnings: ‘It’s 29kg – you may need help in unpacking it’ and ‘The S-550i is a remarkably dense amplifier, probably the most self-effacing yet monstrously powerful integrated we’ve ever tested. ’ This new flagship integrated, replaces the FBI while the S-300i remains as Krell’s entry-level integrated at £2795. The S-550i is a true ‘big brother’: the sonic resemblance is uncanny save for a brutal power delivery. While the front panel suggests minimalism, that’s only because all minor settings are relegated to a menu system, eg, balance setting and input trim, which can also be accessed by the full-function remote.
Hi-Fi News Staff  |  Nov 13, 2014
Yes, those valves – made in-house – really are a foot tall! And they radiate substantial heat once the SXI has been powered up for a few minutes, but KR Audio’s amplifiers are beautifully engineered. The company is based in Prague, founded by electronics engineer the late Dr Ricardo Kron in 1992. It’s a boutique firm of only a dozen or so people – skilled artisans who blow the glass and hand-craft the tubes. Such is the transparency of KR Audio’s Kronzilla amplifiers that at least of couple of German recording studios use them in mastering suites.
Hi-Fi News Staff  |  Nov 13, 2014
McIntosh’s original MC275 featured as an ‘Audio Milestone’ [HFN Dec ’10], but what’s reviewed here is the current production version of this most famous power amplifier. It’s the same as the 2011 Anniversary Edition but with stainless steel rather than a gold chassis. Its most spectacular outward feature, described in staid McIntosh tech-speak as ‘small tube illumination for amplifier status operation’, comprises LEDs indicating status or output tube failure. This is a part of a protection circuit system which will also shut the amp down if speaker wires are shorted or there is a gross impedance mismatch.
Hi-Fi News Staff  |  Nov 13, 2014
Enter Musical Fidelity’s latest ultra-high-power creation, described as ‘a true heir to the [2008] Titan, delivering near-identical sound’. It’s a monoblock design that’s considerably more bank-balance friendly, rated at 700W/8ohm, although this transpired to be conservative. It is part of a new series of high-end components, also including the M8PRE preamplifier. The sturdy casework has a finely-textured black finish and thick aluminium fascias while the M8700m’s heatsinks are smoothly finished.
Hi-Fi News Staff  |  Nov 13, 2014
These are just the first two models in Roksan’s new Oxygene series. In the amplifier, the use of Class Dor switching-amplifier technology provides high power and excellent performance from a physically compact package. There’s very little heat dissipation, so the amplifier doesn’t require big heatsinks or a lot of ventilation. The designers have chosen one of the well-known range of Hypex UcD modules, which have a high reputation for sound quality.
Hi-Fi News Staff  |  Nov 13, 2014
On seeing Siltech’s pre/power combo you might think it incorporates a separate power supply. In fact, this unusual design splits the power amplifier into separate interstage (voltage gain) and current amplifier sections. The combo’s C1 tube preamplifier (pictured) features a rechargeable battery power supply as does the V1 voltage stage of the two-box power amplifier. Of course, running the complete V1/P1 amplifier from a battery would be wholly impractical, so the P1 is mains powered.

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