The loudspeaker firm, famed for its late-1950s amps, makes a late-1990s return to tube electronics with two new integrateds. Ken Kessler listens
When the grapevine alerted the world's tube crazies to the return of Rogers amplification, visions of two-tone faceplates danced before our eyes. A nice Cadet III [HFN May '13], or maybe an HG88 visually unchanged but suitably modernised. The collector in me rejoiced. But the Rogers beancounters felt that an all-new product was a more sensible proposition, which is why the E-20a and E-40a all-valve integrated amps have nothing whatsoever to do with the preceding models. Indeed, they have little to do with Rogers.
Is there an open-reel tape revival, asks Ken Kessler
If, in 1999, you were told that vinyl would enjoy such a massive revival that in 2019 HMV would be opening a flagship store in Birmingham stocking 25,000 records, and that turntables and LPs would appear in mainstream TV ads for watches and life insurance, you'd have laughed in disbelief. But then you would have paused, because both records and turntables were never entirely out of production.
An acoustic ribbon hybrid loudspeaker at a realistic price without the need for a huge amplifier. Too good to be true? Ken Kessler finds out...
Hybrids are supposed to be the best of two or more technologies, and we've seen the approach used for all manner of products. The most feverish of hi-fi's Dr Frankensteins though, have always been devoted to loudspeakers.