Classical

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Christopher Breunig  |  Oct 29, 2021
This month we review: Sandrine Piau, Stuart Jackson, Konstantin Krimmel, Arcangelo/Jonathan Cohen, Mika Kares, Szilvia Vörös, Helksinki Po/Susanna Mälkki, Akademie Für Alte Musik Berlin and LSO/Sir Antonio Pappano.
Peter Quantrill  |  Oct 31, 2022
This month we review: Hallé/Sir Mark Elder, Vienna State Opera/Welser-Möst, Bertrand Chamayou and Brabant Ensemble/Stephen Rice.
Peter Quantrill  |  Oct 30, 2023
This month we review: Fuge, Williams, Singapore SO/Venzago, Freiburg Baroque/Von Der Goltz, Lied Haga, Apekisheva and Weser-Renaissance Bremen/Manfred Cordes.
Peter Quantrill  |  Apr 26, 2025  |  First Published: Oct 01, 2024

This month we review: Vrána, Janácek Phil Ostrava/Hron; Sydney SO/Robertson, Explore Ens; Claire Booth, Christopher Glynn; Mishka Rushdie Momen

Peter Quantrill  |  Oct 12, 2025

This month we review: Les Arts Florissants/William Christie, Hallé/Thomas Adès, Ensemble Modern, New College Choir, Oxford/Quinney

Peter Quantrill  |  Aug 12, 2026  |  First Published: Oct 01, 2026

This month we review: Jess Dandy, Chroma; Quatuor Diotima; Heaston, Polenzani, Nat SO/Noseda; and Jean-Guihen Queyras, Luxembourg PO/Gustavo Gimeno

Christopher Breunig  |  Sep 28, 2020
This month we review: Beethoven, L'heure Bleu, Mussorgsky/Ravel, and R Strauss.
Christopher Breunig  |  Sep 28, 2021
This month we review: Zurich Tonhalle Orch/Paavo Järvi, Viktoria Mullova & Alasdair Beatson, Isabelle Faust, Orchestre De Paris/Pablo Heras-Casado and Berliner Philharmoniker/Claudio Abbado.
Peter Quantrill  |  Sep 27, 2022
This month we review: Peter Donohoe, BBC SO/Sakari Oramo, Michelle Cann, New York Youth SO/Michael Repper, Vicky Chow and Lisette Oropesa, Dresdner Phil/Daniel Oren.
Peter Quantrill  |  Sep 29, 2023
This month we review: Deutsche Kammerphilharmonie Bremen/Paavo Jarvi, Kristoffer Hyldig, Choir Of Gonville & Caius, Cambridge/Matthew Martin and Lintl, Nyári, Magdeburg Opera/Anna Skryleva.
Peter Quantrill  |  Nov 25, 2024
This month we review: Bavarian Radio Chorus/Peter Dijkstra, Castalian Qt, Bbc So/Thomas Kemp, Mahler Academy Orch/Philipp Von Steinaecker, and Sara Costa
Peter Quantrill  |  Sep 14, 2025  |  First Published: Sep 01, 2025

This month we review: Sheku Kanneh-Mason, Rachel Podger, Mariam Batsashvili, Estonian Nat SO/Neeme Järvi

Peter Quantrill  |  Jul 15, 2026  |  First Published: Sep 01, 2026

This month we review: O/Modernt, Hugo Ticciati; Atlanta SO/Stutzmann; Helsinki Chamber Choir/Schweckendiek; and La Compagnia Del Madrigale

Christopher Breunig  |  Dec 08, 2010
Memorable Dvořák Sevenths we have had from Kubelík, Schmidt-Isserstedt, Monteux, Rowicki and (Sir Colin) Davis. I am not sure that Ivan Fischer’s ousts any of theirs but he’s always an interesting, individual conductor (visit the Berliner Philharmoniker website to see him in Haydn) and there’s enormous warmth in this DSD recording. But what makes this SACD significant is the way he brings to life the five-movement Suite: analogous to Brahms’s two Serenades – that is, delightful music neglected in favour of the symphonies. Ex-Philips, the Budapest Dvořák Symphonies 8 and 9 SACD coupling is now on Channel Classics.
Christopher Breunig  |  Dec 10, 2010
Some will recall the 17s 6d Supraphon LP of two of these grisly narrative poems – Czech PO/Chalabala, musically unsurpassed. Mackerras’s long association with Czech music virtually guarantees a recommendation here: Water Goblin and Noonday Witch (2008, live); Wild Dove (studio, 2009); and a reissued Golden Spinning Wheel (studio, 2001). Dvorak’s wind-swept allegros, rustic tunes and careful orchestrations fire the unique-sounding Czech Philharmonic much as Elgar’s or Walton’s music does the LSO. The one spectre at the feast is the skating-rink acoustic of the Prague Rudolfinum.

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