American marque's flagship Motion tower is a three-way that showcases driver upgrades and a bold new aesthetic
Although MartinLogan is known for its electrostatic loudspeakers, culminating in the flagship Neolith [HFN Jul '16], and 'static/moving-coil hybrids [HFN Jan '17, Feb '18 & Nov '21], the Kansas-based brand has, since 2003, ploughed another furrow with conventional cabinet models targeted at a wider audience. And since 2010, MartinLogan's Motion range, now headed by the Motion XT F200 reviewed here, has employed a tweeter technology the company says offers 'electrostatic-like high frequency detail'. There's a strong suggestion that the move from specialist brand to mass-market competitor hasn't extinguished ML's raison d'etre.
With full-sized CD players stealing a march on portables in the late 1980s it was left to Sony to step up with a palm-sized marvel of a machine. How would it fare today?
The appearance of portable CD players in the mid 1980s presented buyers with something of a dilemma. Should they purchase a full-width model or one of the mobile machines, almost all of which could easily be connected to a full-sized system? A portable would be more versatile, but a large player would be expected to offer more facilities and better sound quality.
From the man behind the iconic Continuum turntable comes this next-generation range, under his own brand, incorporating a 'negative-stiffness mechanism' suspension
Australia is not only home to some of the world's most fascinating animals but it's also the stomping ground of high-end heavyweights Halcro [HFN May '23] and Döhmann Audio, the latter responsible for the finely-engineered, and robustly elegant, turntable that graces the pages of this month's feature review. For Mark Döhmann, Director of Design, the 'Two' – one of a pair of decks in the Helix range, now in Mk3 guise – represents his latest thinking on the art and science of vinyl replay.
Long-awaited, while the monoblock version of Exposure's 3510 amplifier series looks just like its Stereo and Integrated models, in practice it is a new and highly refined amp
When Exposure launched its 3510 series in 2021, as a replacement for the venerable 3010 range, attention was first given, perhaps unsurprisingly, to the integrated amplifier [HFN Nov '21]. One year later it was joined by a stereo power amp and partnering preamp [HFN Nov '22], and a year after that we witness the arrival of the 3510 Mono, tested here. Such an approach is not unusual for a boutique brand – a fair description of the Sussex-based company – but it's perhaps also indicative of the hidden differences between Exposure's amplifier designs.
This month we review: Anna Prohaska, Pat. Kopatchinskaja, Ellinor d'Melon, RTE Orch/Martín, Clare College CH/Graham Ross and Montreal SO/Rafael Payare.
American marque's flagship Motion tower is a three-way that showcases driver upgrades and a bold new aesthetic
With full-sized CD players stealing a march on portables in the late 1980s it was left to Sony to step up with a palm-sized marvel of a machine. How would it fare today?
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