LATEST ADDITIONS

Peter Quantrill  |  Apr 25, 2025  |  First Published: Nov 01, 2024

There's more to this hymn to Czech nationhood than the familiar strains of Vltava, says Peter Quantrill, as he explores the history of the complete orchestral cycle on record

Review: Andrew Everard,  |  Apr 25, 2025  |  First Published: Oct 01, 2024
This month we review and test releases from: Serol Yapici & Héctor Sanz Castillo, Norma Winstone & Kit Downes, Andrew Wilcox, Ola Kvernberg, and Sasha Witteveene
Review: Paul Miller  |  Apr 25, 2025  |  First Published: Oct 01, 2024
hfnvintagePaul Miller compares the Philips DCC-600 with the Marantz DD-92, two DCC recorders with the same PASC encoder but different ADCs and DACs

This review deals with two first-generation DCC players. Philips and other companies are committed to this medium, to judge from the fast expanding list of pre-recorded software, if not in the range of hardware to match. DCC will certainly not oust CD: it is better to think of it as a stepping stone between analogue compact cassette and the digital audio systems of the future – systems that must surely avoid the cumbersome format of tape. But for the time being, these machines may be counted a success.

Review: Mark Craven,  |  Apr 25, 2025  |  First Published: Apr 01, 2025
hfnoutstandingWith uprated tweeter, internal wiring, crossover and terminals, the Diamond edition Parker Trio is a jewel in Marten’s crown

Marten Parker Trio is not, of course, the name of a new jazz act. Marten is the Swedish loudspeaker manufacturer, established as a family business by Leif Mårten Olofsson in 1998, and Parker Trio one of its floorstanding options. Yet the jazz angle still applies, as the company's other speaker ranges are Coltrane, Mingus, and Oscar. Perhaps Olofsson, who heads up the company as its chief designer, has Monk or Davis in mind for the future...

Review: Mark Craven,  |  Apr 23, 2025  |  First Published: Apr 01, 2025
hfnoutstandingOffered in sealed (SB) and ported (PB) variants, SVS’s new Ultra subs claim refinements to driver, amplifier, power supply and DSP, and include a new auto EQ room correction

Although SVS sells a variety of loudspeakers, from its desktop-friendly Prime Wireless Pro powered monitors to the recently launched Ultra Evolution series [HFN Jul '24], it's best known as a subwoofer manufacturer. This is, after all, how the Youngstown, Ohio-based company first got started in 1998, and in the intervening years it's evolved a catalogue of subwoofers that's now crowned by the new 17-Ultra R|Evolution models.

Review: Mark Craven,  |  Apr 23, 2025  |  First Published: Oct 01, 2024
hfncommended

Relaunched in mk2 guise, ELAC’s most compact two-way gets a boost from the latest generation of its iconic ‘JET’ tweeter. We fuel up the afterburners and listen at Mach 2

In the last few years audiophiles have witnessed a spate of companies celebrating 50th anniversaries, a reminder that the early 1970s were a hotbed of hi-fi development. ELAC, however, can claim a much longer heritage, having been founded in Kiel in Germany in 1926, originally as a specialist in sonar technology before expanding to consumer audio. No doubt it is working on a 100th anniversary product launch – having previously marked 90 years with the Miracord 90 turntable [HFN Jul ’17] – but in the meantime it has delivered an update to its Vela series of loudspeakers.

Review: Ken Kessler, ,  |  Apr 23, 2025  |  First Published: Oct 01, 2024
hfnoutstanding

Those wizards of trickledown tech are at it again: DS Audio’s new entry-level model, the DS-E3, gives you a taste of the Masters series at less than a tenth of the price!

It’s hard to name a cartridge brand as prolific as DS Audio. It seems every time you turn around there’s a new model. Following a flurry of entries at the extreme top-end, including the Grand Master EX [HFN Oct ’23], DS Audio has returned with a new optical cartridge at entry level, an absolute cracker called the DS-E3 – and with no price increase over the DS-E1 [HFN May ’19] it replaces.

Review: Andrew Everard,  |  Apr 23, 2025  |  First Published: Oct 01, 2024
hfnoutstanding

Conceived as the ‘command centre’ of a modern high-end system, T+A’s powerful all-in-one system embraces CD and streamed audio, in all its flavours, and radio too...

Looking for a simple, no-frills, ‘straight wire with gain’ amplification solution? If so, it’s a case of ‘move right along, please – nothing to see here’, for T+A’s R 2500 R, available in black or silver at £12,905, is a prime example of large-scale integration in the quest for one of those ‘just add speakers’ systems. Yes, you could connect other source components to it, thanks to a choice of analogue and digital inputs – but really, why would you want to?

Review: Ken Kessler,  |  Apr 23, 2025  |  First Published: Oct 01, 2024
hfnoutstandingWith the tube-based Chinook phono stage as its inspiration, the Oasis brings greater flexibility in gain and loading. Moreover, it debuts Manleys custom switchmode PSU

When we reviewed Manley Laboratories’ long-lived Chinook phono stage [HFN Dec ’21] the reaction was ‘Wow!’ and it was deemed ‘irresistible’. The £2699 Chinook, a ‘stripped down’ version of the company’s flagship Steelhead, climbed to £3399 by the end of its run and has now been replaced by the Oasis at £4249. Manley has approached its successor with care, so as not to compromise the Chinook’s virtues.

Review: Jamie Biesemans,  |  Apr 23, 2025  |  First Published: Oct 01, 2024
hfnoutstanding

Described as ‘contemporary classics’, the six-strong, sixth generation Gold series spans, you guessed it, six models!

After the renewal of the Silver in 2021 and the Platinum range at the tail end of 2022, it was only logical the intermediate Gold line would reappear, now in 6th generation (6G) guise. The Gold 300 6G is the smaller floorstanding model in the new range, and in many households will be the sensible choice. The three-way design and two 150mm woofers promise performance, while its living room friendly footprint makes choosing between the £4000 Gold 300 6G and the Gold 100 6G standmount (£3000 plus £550 for the ST-2 stands) just that bit more difficult. Its design chops, both when it comes to looks and acoustics, made it an obvious candidate for the EISA members to pin an EISA Award on its lapel this summer.

Pages

X