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In the vinyl heyday of the 1970s and 1980s, differences between UK-designed turntables, and those arriving from Japan, were stark. The suspended subchassis belt-drive decks, popular among British audiophiles, showcased increasing refinement of a ‘traditional’ technology. Japanese corporations, on the other hand, were making use of large research departments and development budgets to produce decks that could correct for off-centre records, direct-drive motors with almost unmeasurable wow and flutter, and control systems with huge torque that would revolutionise DJ-ing.

Baffled by its name, I assumed Polish manufacturer ‘Fezz’ took it from its distinctive toroidal transformer covers, which reflect the shape of the famous Moroccan hat if not the city itself. Here was a valve amplifier with the full complement of toroidal transformers – not all that common with tubes – but there’s even more novelty to the Sagita Prestige preamplifier (£3499) and Titania power amplifier (£3495). Eastern European price advantages are just the start.

When a manufacturer announces a new model, it’s tempting to compare it to what’s come before, looking for where upgrades have been made. And, yes, the MS-1 from China’s Matrix Audio does carry on technology and design features from the company’s earlier network players, including the Element X2 and X2 Pure [HFN Oct ’22 and Dec ’23] and entry-level X-Sabre 3[HFN Apr ’22]. That said, you only need lay eyes on the MS-1, with its full-width chassis, large, colourful front-panel display and £9600 price tag, to realise it’s also something different.

Instantly recognisable, Switzerland’s Piega has produced its ‘ribbon’ loudspeakers for nearly four decades. Building on the company founded by Leo Greiner (the other founder, Kurt Scheuch, brought technical chops to the table), it’s a manufacturer that takes pride in its family ownership. Greiner’s sons Alex and Manuel still manage the business from Horgen on the shores of Lake Zurich, where production is situated.