LATEST ADDITIONS

Steve Sutherland  |  Oct 06, 2023
Four years in the making, this swansong album from the electronic music pioneers swapped samples for session musicians. Steve Sutherland celebrates its brilliance

What if you could reinvent your life and have another go at it, starting somewhere, somewhen else? Me, I'd opt to have been born a decade earlier and I'd have moved to Los Angeles in 1965, aged 17. That way I'd have been hanging around the Sunset Strip in 1967 where, at the Whisky A Go Go alone, I'd have seen Love, The Doors, The Byrds, Jimi Hendrix, Buffalo Springfield, Moby Grape, Spirit, Janis Joplin, and Them with Van Morrison. I might even have hopped a short haul or thumbed a ride to Monterey where the Pop Festival was, as they say, happening.

Review: Andrew Everard,  |  Oct 05, 2023
hfnoutstandingCelebrating a legacy that stretches back 50 years, the Norwegian brand stamps its authority with the heavyweight AW 800 M flagship amplifier – a solid cube of power!

There's a classical simplicity about this flagship pre/power amplifier combination from Electrocompaniet. The style – realised here with clear-on-black acrylic fascias with gold detailing – harks back to its first amp, 'The 2 Channel Audio Amplifier' [HFN Dec '11], based on Dr Matti Otala's tackling of 'Transient Intermodulation (TIM)' distortion, shortly after it began operations in 1973.

Mike Barnes  |  Oct 03, 2023
Led by singer-songwriter Mike Scott, The Waterboys honed their 'big music' sound on this 1985 album where rock guitars were joined by saxophone, piano and celeste to create an expansive work that was epic yet spiritual, and at times even political...

On the song 'The Big Music', from The Waterboys 1984 album A Pagan Place, Mike Scott sang 'I have heard the big music/And I'll never be the same' – and he wasn't kidding. Nowadays, the 1980s might be more readily associated with glossy, primary coloured pop but it also opened the doors to something quite different – an earnest, yearning, expansive rock music drawn with broad brush strokes, but with enough space for some fine detail. The Waterboys exemplified the desire to make this 'big music', as did contemporaries such as Echo & The Bunnymen, U2, Big Country and Simple Minds.

Review: Mark Craven,  |  Oct 02, 2023
hfnoutstandingAs Hegel's previous 'last ever' CD player – the Mohican – gets the chop, the audio world faces a new invasion from the Norwegian longships, courtesy of the Viking...

When Hegel announced its Viking CD player, the phrase 'never say never again' sprung to mind. You don't need to have a particularly long memory to recall the company's previous silver-disc spinner was named Mohican [HFN Oct '16] because – geddit? – it was going to be the last such machine the Norwegian company would make. The format's popularity was seemingly dwindling in the face of music streaming and the vinyl resurgence. Hegel even made commemorative t-shirts for its final fling with CD.

Ken Kessler  |  Sep 29, 2023
This month we review: Paul Simon, Gaillard, Jazzbeaux, Mantilla & Allen, Pleasure and Johnny Winter.
Ken Kessler  |  Sep 29, 2023
This month, we review: Leonard Bernstein, Eagles, Elton John and Peggy Lee.
Mike Barnes  |  Sep 29, 2023
This month we review: Do Nothing, The Church, Rival Sons and Dexys.
Steve Harris  |  Sep 29, 2023
This month we review: Joshua Jaswon Octet, Eric Alexander, Dave Mcmurray and Gretchen Parlato & Lionel Loueke.
Peter Quantrill  |  Sep 29, 2023
This month we review: Deutsche Kammerphilharmonie Bremen/Paavo Jarvi, Kristoffer Hyldig, Choir Of Gonville & Caius, Cambridge/Matthew Martin and Lintl, Nyári, Magdeburg Opera/Anna Skryleva.
Andrew Everard  |  Sep 29, 2023
This month we review and test releases from: Ralph Alessi Quartet, Mahan Esfahani/Prague RSO, Bill Kopper, Pink and Ladytron.

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