Practitioners of Zydeco – the black, bluesy, more rocking cousin to swampy Cajun music – serve a select audience, for the genre rarely produces crossover hits. But if you get bitten by the bug, it’s irresistible. Major Handy is one of Zydeco’s younger, more active performers, born in the heart of the Louisiana region that gave birth to the sound, and a veteran who played with Rockin’ Dopsie. Chad Kassem’s crew has captured the swing and the feel of the genre, while showcasing an instrument that’s key to Zydeco but hardly an audiophile staple: the accordion.
Although most would credit Sly & the Family Stone or Funkadelic’s empire for inventing acid-dripping, hard funk, back in ’69, the super-smooth Temptations were getting spacey, too. Sharp suits metamorphosed into the kind of garb that Elvis Presley would copy for his Vegas era, and track times would extend beyond the AM-friendly norm of Motown. While fans may have been taken aback by the wicked title track, the Temps had already shown an experimental streak with ‘I Know I’m Losing You’. And we certainly owe thanks to this LP for the later ‘Psychedelic Shack’, and of course, the immortal ‘Papa Was A Rollin’ Stone’.
It simply doesn’t get any better than this if you’re a Motown addict. This LP from ’67 contains a half-dozen gems, eg, ‘Bernadette’, that are forever associated with the ’Tops, plus a couple of covers they made their own: ‘Walk Away Renee’ and ‘If I Were A Carpenter’. With 20/20 hindsight, considering that The Monkees have been reassessed and found not to be the infra dig swill that snobs once deemed them to be, we learn here just how appealing was the material they chose: the ’Tops cover two of their hits, turning ‘Last Train To Clarksville’ and ‘I’m A Believer’ into almost-credible Motown stompers. Reach Out is the quintessence of the group’s and the label’s sound.