JBL’s iconic Project Everest and K2 are joined by
three new ‘Summits’ – the Makalu, Pumori and Ama
With its three new Summit series loudspeakers, JBL is continuing its journey through the Himalayas. The Makalu and Pumori floorstanders, plus the standmount Ama auditioned here, join its existing ‘Project’ Everest DD67000 [HFN Aug ’14] and K2 S9900 [HFN Aug ’10] flagships in taking their name from the world’s highest peaks. Like those two models, they also come with prices that demand a head for heights, even if the Summit Ama – at £14,998 – can be said to be relatively affordable when compared to the Everest at £79,998.
Succeeding the H120 as Hegel’s second-tier amplifier, ‘The Prodigy’ also includes the brand’s latest streaming platform and is the first to include support for external drives
There’s an easy way to understand the hierarchy of amps in the Hegel catalogue, be they pre, power or integrated. The higher the number, the ‘better’ the specification (you might think this would be the only way to go about it, but some rival companies – I’m looking at you, HiFi Rose – beg to differ). And so it is that the Norwegian manufacturer’s new H150 integrated, priced £2750, takes up a middle-of-the-range position, above the entry-level H95 [HFN Oct ’20], and below the H190v, H400 [HFN Oct ’24] and H600 [HFN Oct ’23].
Some 40 years after its debut standmount was conceived – but before the brand was officially launched – Acoustic Energy has reimagined an ’80s icon and produced a classic
If you’re looking at the legend on the tweeter surround of Acoustic Energy’s new loudspeaker and wondering how a brand that was established in 1987 can launch a 40th Anniversary Edition model in 2025, the answer is simple. When Acoustic Energy founder Phil Jones began work on his original AE1 design [HFN Jan ’89], seeking an ‘accurate monitor’ for his recording studio, he certainly wasn’t intending to launch a consumer audio company. But the speaker, a compact two-way that was groundbreaking in its use of metal diaphragms for both bass/mid and treble drive units, caught the eye and ear of audiophiles. And now it’s back...
The Italian manufacturer has adopted a no-compromise philosophy for its flagship ‘InPoL’ amplifier – the result is a 140kg, all-analogue integrated blending tubes and transistors
In high-end hi-fi, it’s common to see the phrase ‘two-man lift’ applied to heavyweight loudspeakers, amplifiers and subwoofers. Yet the top-of-the-line InPoL Legacy from Italian manufacturer Pathos goes one (well, two) better. This integrated amplifier, priced £51,995, arrives in a purpose-built wooden crate on wheels, along with two metal ‘pull-up’ bars that slide underneath the chassis once the crate has been disassembled. It’s then a four-person job to lift the bars and manoeuvre this 140kg beast into position.
Leading the charge in Exposure’s flagship 5510 series is a new integrated amplifier that leverages technology from the 3510 monoblock. But what’s this... an OLED display?
By kicking off its new 5510 series with an integrated amplifier, Brit brand Exposure (Malaysian owned but still based near Brighton) is already ringing the changes over its previous 5010 line, which only included a preamp and monoblock power amplifiers [HFN Nov ’18]. You can expect 5510 pre/power models to arrive in due course, but until then the 5510 Integrated, at £4600, can be considered the company’s flagship.
The American manufacturer’s flagship floorstander adds two dedicated woofers, and ABRs, to its concentric driver array. Is this the bang-for-your-buck loudspeaker to beat?
When we first saw MoFi Electronics’ SourcePoint 888 floorstander [HFN Jan ’25], its sheer size, at the £5599 price, raised an eyebrow. But designer Andrew Jones (ex-ELAC, TAD, KEF) hasn’t stopped there. Selling for £8800, the company’s new flagship takes the style and shape of the ’888 and scales it up, resulting in cabinets measuring 1239x394x505mm (hwd) and weighing 72.6kg.
Launched upon the audio world a decade ago, the Phantom was, and remains, the ‘demonstrator’ of all Devialet’s technologies. Ten years on, its promise is finally realised
Although the Paris-based audio brand, Devialet, debuted with its groundbreaking D Premier integrated amplifier in 2010 [HFN Apr ’10], it’s arguable that its most well-known release has been the Phantom [HFN Feb ’15]. Launched in 2015, this almost spherical-shaped active, wireless speaker leveraged the brand’s electronics knowhow and eye for a smart aesthetic to shake up the compact hi-fi market. Upgraded models have appeared in the decade since, but only now does the manufacturer feel confident in launching a new ‘Ultimate’ edition.
There’s more than a hint of retro styling to T+A’s slender all-in-one amplifier, but the feature set – including a custom DAC stage and Class D power – is thoroughly modern
With its latest integrated amplifier, German marque T+A says it is offering a ‘bold look to the future of audio’ as well as a nod to the company’s near 50-year past. And the Symphonia, yours for £7990 in silver or black finish, certainly has a styling that’s unusual, if not unique. The busy front fascia, with crisp monochrome OLED display and hand-built analogue VU meters, continues the kind of retro-modern aesthetic seen on other recent models from HiFi Rose [HFN Jul ’22] and Yamaha [HFN Jul ’23], plus T+A’s own series 200 separates [HFN May ’22 and Feb ’23].
‘A bold reimagining of the award-winning range’, claims Monitor Audio as it launches the 7th generation of its entry-level loudspeaker series. We hear the baby standmount...
Recent releases from Monitor Audio, including the floorstanding Hyphn flagship [HFN Jul ’23] and retro-inspired Studio 89 standmount [HFN Nov ’24], have found the UK speaker marque moving into new markets and evolving its ‘brand proposition’. However, proof – if needed – that the manufacturer hasn’t completely up-ended its approach comes in the form of the Bronze 50 7G speaker seen here.
Hugely anticipated, the flagship SA45 marks the next evolution of Arcam’s bespoke streaming amplifier solutions. Highly-featured, neither is the SA45 short of beef...
When Arcam launched its HDA line in 2019 claiming ‘a complete redesign of the look and internals’ of its hi-fi hardware, it was necessary to take the first part of that statement with a pinch of salt. Amplifiers like the SA30 [HFN Jul ’20] might have benefited from some extra chrome details, but the smart-if-conservative styling wasn’t that far removed from the company’s earlier FMJ and Solo series. It’s only now, thanks to a ‘brand redesign’, that Arcam’s range of amplifiers and sources appears properly overhauled.