Review: Andrew Everard

Sort By: Post Date | Title | Publish Date
Review: Andrew Everard, Lab: Paul Miller  |  Oct 01, 2018  |  0 comments
hfnoutstanding.pngHere’s a network audio bridge, a USB player and computer audio cleaning device, and a Roon Ready endpoint – all in one tiny (and affordable) box. Is there anything it can’t do?

The rise of ‘computer audio’ has rewritten the rules on hi-fi components. What once required a full-width separate can now be achieved with an almost vanishingly small box of computer technology, all ready to connect into your existing system. You can stream using a Raspberry Pi, an Asus Tinkerbox or an Intel NUC – to name but a few – and a whole industry has sprung up making add-ons for these mini-computers to turn them into digital or analogue audio devices, or even complete ‘just add speakers’ systems.

Review: Andrew Everard, Lab: Paul Miller  |  Sep 01, 2018  |  0 comments
hfncommended.pngThe Naim ‘platform for the future’ has brought new facilities, and a new look, to its network music player range – but have the signature sonic fireworks been retained?

There was a certain inevitability about it. Back in October 2016, when Naim Audio launched its four ‘new Uniti’ models, based around what MD Trevor Wilson described as the company’s ‘platform for the future’, the elephant was in the room throughout the press event. Eventually it was unleashed, and the question asked: would this new technology also be applied to the ND-series of network music players?

Review: Andrew Everard, Lab: Paul Miller  |  Sep 01, 2018  |  0 comments
hfnoutstanding.pngThe most ambitious iFi digital product to date is a hugely flexible DAC/headphone amp with an eye on both studio and consumer markets. But is it just a bit too complex?

The idea of the DAC/headphone amplifier is firmly established, whether for ‘on the go’ use, desktop audio or as a main system component. Less than £100 will get you started, with the likes of the AudioQuest DragonFly Black [HFN Oct ’16], Cambridge Audio DacMagic XS V2 or Cyrus SoundKey, while the ambitious might consider models such as the long-running Chord Electronics Hugo [v2, HFN Aug ’18] and costing the thick part of £2000. However, even by the standards of this highly diversified market sector, the range-topping model from iFi Audio, the Pro iDSD, looks pretty punchy with its £2500 price-tag.

Review: Andrew Everard, Lab: Paul Miller  |  Sep 01, 2018  |  0 comments
hfncommended.pngBilled as McIntosh’s most powerful integrated amp to date, the mighty MA9000 combines transistors with transformers and a ‘blue’ aesthetic that’s truly timeless

Right, let’s get the ‘and fries to go’ thing out of the way first. If ever a product deserved the title, this is the ‘Big Mac’. Or at least ‘Big Mc’, for the McIntosh MA9000 is huge in every respect, from the sheer bulk of the thing – at least by the standards of most integrated amplifiers – to the 45.8kg fighting weight, increasing to 60.8kg packed, and the £12,995 price tag.

Review: Andrew Everard, Lab: Paul Miller  |  Aug 01, 2018  |  0 comments
hfnoutstanding.pngIt can sometimes seem tricky to keep pace with the changes in the Chord Electronics range, but its Hugo 2 claims technical and spec advances over the original DAC/amp

For a relatively small specialist audio brand – well, by the standards of some of the huge companies the industry seems determined to keep constructing these days – Chord Electronics has its bases covered in fairly spectacular fashion, from tiny pocket devices to hugely powerful amplification. What’s more, there’s little evidence of resting on laurels going on here. The company just keeps on adding new models to its range, from the Mojo/Poly portable DAC/amp/player/streamer combo to the newly announced Etude amplifier, said to use its ‘first fundamentally new topology’ since the company was founded some 30 years ago.

Review: Andrew Everard, Lab: Paul Miller  |  Aug 01, 2018  |  0 comments
'Bridge' digital sources, the link between conventional physical media and computer-based audio, are very much on-trend at the moment – what can T+A bring to the party?

So, are the twin threats of downloaded music and streaming services putting the final nail in CD's coffin? In the future will our music collections exist only as files on a home server, or indeed not as collections at all – figures seem to suggest downloads are flagging – but rather as infinite libraries accessed on demand from online services?

Review: Andrew Everard, Lab: Paul Miller  |  Jul 01, 2018  |  0 comments
hfncommended.pngA reversal of digital direction marks out this hi-tech integrated amp from the Masters Series, so can NAD's innovative thinking make the M32 stand out from the crowd?

Just in case you can't work out what the £3499 NAD M32 actually is – straight from the box only a volume control sets it apart from the company's similarly styled M22 v2 power amp – the front panel tells you, at least when powered up, that this is a 'Direct Digital DAC/Amplifier'. Of course, even powering it up may be a challenge for those for whom 'RTFM' is a sign of weakness. After a bit of stabbing of the NAD logo, which glows amber in standby, suggesting it might do something, they'll probably eventually alight on the little touch pad top and centre above the display. Brush this and the amp gets ready to do its stuff, at which point the amber surround on the logo turns white and you're in business.

Review: Andrew Everard, Lab: Paul Miller  |  Jun 01, 2018  |  0 comments
hfncommended.pngThis slimline amplifier from an established French brand may suggest another product from the same country, but it's a very different prospect with some unique features

So, it's a slimline amplifier, and it's French – already thinking of the 'D' word? But while it might seem that the M-One amplifiers from Micromega could be 'inspired' by the success of Devialet's range, in fact they have little in common beyond their country of origin and a passing resemblance in dimensions: under the skin they're very different animals.

Review: Andrew Everard, Lab: Paul Miller  |  Jun 01, 2018  |  0 comments
hfnoutstanding.pngThey may typify Stateside heavy-metal hi-fi, but this pre/power amplifier from one of the high-end's best-known names is really all about simplicity and directness

Depending on your point of view, what you see before you are either objects of absolute hi-fi aspiration or a symbol of everything that's wrong with high-end audio in the 21st century. Along with compatriot Krell, Mark Levinson is one of those names that's likely to be known even by those with only a passing interest in hi-fi and – though the marque has undergone several twists and turns in its near-50-year history – it remains one of the best-known in the audio business.

Review: Andrew Everard, Lab: Paul Miller  |  May 01, 2018  |  0 comments
hfncommended.pngCombining simplicity with flexibility, this pre/power combination from one of the best-known names in French hi-fi has much to offer – including the odd quirky feature...

Like some other French audio companies, Yves-Bernard André's eponymous brand has hovered on the periphery of UK hi-fi enthusiasts' perception. But the company has been on a mission to change all that, taking a more global view with a lineup extending to no fewer than five product ranges. The Passion models, represented here by the £6750 PRE550A preamp and £5750 AMP650 power amp, sit near the top of the pile.

Pages

X