Offered in limited edition 25th anniversary and standard guises, the X2t is Raidho’s entry-level X series floorstander
Getting big bass from a loudspeaker, many think, requires huge drivers able to shift a lot of air. However, big drivers mean big cabinets to house them, and both skill in their tuning as well as capacity on the part of the amplifier. The former, at least, is something Danish company Raidho has clearly got under control with its X2t, although these £12,500-per-pair floorstanders opt for 135mm bass drivers – one covering bass/mid up to 3.5kHz, the other purely bass to 140Hz – for a slender form factor. The cabinet is just 143mm wide, and the whole speaker only 300mm wide including its aluminium outrigger feet, of which more later.
Hailing from down under, Burson’s flagship Voyager series is ruled by the Conductor DAC/preamp/headphone amp – rated at a stupendous 10W, and with features galore
Though perhaps not so well-known in some hi-fi circles, Australian brand Burson Audio has built itself quite a following among head-fi’ers – those devotees of headphone listening – thanks to an impressive range of amplifiers dedicated to that cause. Its models range from the £849 Playmate 3 up to the Conductor Voyager we have here, at £3900 in standard guise.
This month we review and test releases from: Wolfgang Muthspiel, the Liv Andrea Hauge Trio, Vince Guaraldi, Jack West, Gustaf Ljunggren and Emil de Waal
Completing the now six-box Varèse ‘stack’, dCS’s latest CD/SACD transport caters for those who want physical media as well as streaming. But does it have a ‘sound’?
It’s tempting to imagine a Frankenstein-like cry of ‘At last our creature is complete!’ emanating from the Cambridge HQ of dCS. The arrival of the company’s Varèse CD/SACD transport, retailing for £32,500, should come as no surprise to followers of the company’s flagship digital solution [HFN Feb ’25]. Bringing the complete Varèse ‘stack’ to a total of six units – the User Interface, Core, Master Clock and dual Mono DACs – the eagerly anticipated Transport also lifts the all-up price just north of £260,000.
This month we review and test releases from: Ketil Bjørnstad, Doug MacLeod, the Julia Hülsmann Quartet, London Symphony Orchestra/Davide Alogna/Miran Vaupotic, and Livingston Taylor.
A new owner, new engineers and the most significant release of ‘high performance, high value’ amplifiers in the brand’s 55-year history. We test the mid-series pre/power
The announcement in the summer of 2024 of new products from Audio Research Corp. (ARC) was not only the company’s largest-ever simultaneous release, but also, it said, ‘a fresh start [signalling] a promising future’, and ‘a renewed commitment to inclusivity and accessibility in the world of high-fidelity sound’. With the pre/power pair here priced north of £21,000, one might take that latter claim with a pinch of salt, although with the brand’s Reference Series pitched comfortably higher [HFN Apr ’25], these things are relative.
Swelling the ranks of the hi-fi world’s bijou separates, Métronome launches a compact version of its ‘Digital Sharing Converter’ with partnering streamer and CD transport
The miniature hi-fi trend continues – those short of space or simply seeking an inconspicuous yet high-performance set-up can rejoice. The new arrivals here come in the form of the £4200 DSS 2 network transport and £4300 DSC mini DAC from French company Métronome, as part of its ‘Digital Sharing’ range that also includes the £4400 DST CD transport.
Eye-catching, certainly, but what’s going on within is even more unusual. We unravel the riddle of the Sphinx...
Sometimes, sitting in front of a product for review, a degree of puzzlement sets in. Yes, the style of the £40,000 Sphinx Audio Element 3 speakers, which made their debut at the UK Hi-Fi Show Live in Ascot in Sep ’25, is entirely in accord with the name of the brand. The stone-effect outer panels, harp-like side profile and sphinx-like head housing the tweeter are all redolent of the 1920s Art Deco Egyptian revival, following the discovery of the tomb of Tutankhamun in November 1922.
Korea’s HiFi Rose continues to move apace as its second-gen streamer/DAC platform is trickled down within just six months to a more affordable but still fully-fledged solution
To misquote those old M&S adverts, this isn’t just a network streamer, this is the HiFi Rose RS451 Master Fidelity Network Streamer. The latest addition to the Korean company’s ever-expanding digital audio offering, it features second-generation technology trickled down from the high-end RS151 [HFN Jul ’25] launched earlier this year. This makes it, in HiFi Rose’s terms, ‘a semi-reference level network streamer’.