Paul Miller

Paul Miller  |  Nov 19, 2011  |  0 comments
A well priced Italian design with an impressive USB implementation.

Among cost-conscious hi-fi enthusiasts, Italy’s North Star Design company has a reputation for making cutting-edge digital audio products that sport sensible price tags. Its latest Essensio DAC is a new entry model in its portfolio that undercuts the price of its existing £1420 USB dac32 by dispensing with balanced outputs and AES/EBU (XLR) digital input sockets. Also missing is the RJ45 socket for I2S interfacing with North Star’s £1750 Model 192 MkII CD transport.

Paul Miller  |  Nov 19, 2011  |  0 comments
Arcam returns to DAC's with a diminutive but well implemented design with the added benefit of wireless. Getting rid of all those computer cables can make wireless hi-fi seem like the next essential, especially if your life revolves around the laptop in your bag rather than a tower under the desk. Enter the Arcam rDAC, Wireless Version.
Paul Miller  |  Nov 19, 2011  |  0 comments
Innovative when released, the Celestion is still capable of entertaining results

Launched at the Harrogate Hi-Fi Show in 1981, the Celestion SL6 looked different, and it was more different than it looked. In essence, its all-new drive units had been designed with the help of Celestion’s then-unique and revolutionary laser-based vibration analysis measurement system. It was the first British speaker to use a metal-dome tweeter, but the bass unit was equally innovative.

Paul Miller  |  Nov 19, 2011  |  0 comments
The latest revisions to the big Norwegian increase its appeal Electrocompaniet’s current Classic series looks forward as well as back, with products designed to be integrated into modern multichannel, multi-source systems. The ECI 5 MK II integrated amplifier looks pretty much the same as the previous ECI 5 model, [HFN Oct ’09]. But there are major internal changes, although Electrocompaniet emphasises that all its amplifiers are still ‘made in the TIM-free school based on the principles laid down in the works of Dr Otala and Dr Jan Lohstroh’. The changes in the new ECI 5 MK II seem to have been mainly intended to meet the demands of big modern speakers when driven to high levels with rock music.
Paul Miller  |  Nov 19, 2011  |  0 comments
The latest Evolution drops SACD to focus on CD Krell’s first non-amplification component was the SBP 64X DAC. Twenty-two years on we have this high-end player, following on from the Evolution 505 but this time it doesn’t play SACDs. The two look pretty much the same: the front panel layout is virtually unchanged, although the transport drawer is replaced here by a disc loading slot. Above this is a bold, blue-lit dot matrix display.
Paul Miller  |  Nov 19, 2011  |  0 comments
SACD capability and a clever variable output make the McIntosh a strong performer The SACD won’t go away because enough of us realise that it sounds fabulous. It still has an important market in Japan, and supporters in unlikely places which keep the software flowing. McIntosh is one: as traditional a manufacturer as you can name, and not tempted towards controversy. Mac’s approach to SACD is almost matter-of-fact: it eschews 5.
Paul Miller  |  Nov 19, 2011  |  0 comments
Swiss player combines SACD replay, digital inputs and sumptuous aesthetics to great effect The new 540 SACD ‘Digital Player’, a snip by Soulution standards at £17,850, benefits from the trickle-down of technology from its flagship 745 model. Finish is sumptuous, and the curved edges of top panel and front fascia combine to soften the 540’s physical presence, making it disappear more than most big hi-fi boxes, leaving one to focus on a single rotary dial, a meagre trio of buttons and a slender disc drawer. Screw heads, heatsinks, logos, etc are absent. Digital inputs include coaxial, optical and balanced connections which can all handle incoming data up to 192kHz/24-bit.
Paul Miller  |  Nov 19, 2011  |  0 comments
Impressive sound and considerable flexibility thanks to six digital inputs With the 99 CDP-2, Quad took a full-function CD player, fitted its DAC with a selection of digital coaxial and Toslink optical inputs, and provided both fixed and variable outputs to enable the device to serve as a preamp. Aside from not featuring digital inputs such as balanced XLR, USB and others current and forgotten, the 99 CDP-2 and now the Elite CDP enable their owners to accommodate six extra digital sources. The new player is essentially an update, with circuitry improvements and aesthetic changes like the better front panel illumination. It has the exact same dimensions, right down to the same indents in the top for stacking.
Paul Miller  |  Nov 16, 2011  |  0 comments
The more affordable Paris V incorporates technology from the latest Delphi In 2009 Jacques Riendeau, brother of Oracle founder Marcel, recommenced work as chief designer in the re-formed Quebec company Oracle. The first result was the Delphi MkVI. Work from this was fed into the new Paris MkV turntable. Revisions to the Paris suspension aimed for better lateral stability: a ‘semi-floating’ subchassis is supported not on metal springs but on two fibreglass rods which terminate in Sorbothane rings.
Paul Miller  |  Nov 16, 2011  |  0 comments
A cost-effective Swiss offering that gets to the heart of the music With a background in developing delicate instrumentation (including Swiss time pieces), turning his hand to styli and cartridges seemed an obvious step for music-loving Ernst Benz, who founded Benz Micro and subsequently released a number of high-end MC cartridges from the 1980s onwards. In 1994 Ernst retired, selling Benz Micro to his friend and long time product collaborator Albert Lukaschek who still runs the company today. The Swiss pedigree is obvious from the packaging and accompanying accessories alone, which include a circular bubble level and stainless miniature screwdriver. The Micro ACE is the third model up in Benz’s MC-only product line, priced alongside a low output version distinguished by its red casework, and the cheapest to feature a solid boron cantilever and line contact stylus, rather than conical or elliptical profiles.

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