LATEST ADDITIONS

Peter Quantrill  |  Apr 26, 2025  |  First Published: Oct 01, 2024

This month we review: Vrána, Janácek Phil Ostrava/Hron; Sydney SO/Robertson, Explore Ens; Claire Booth, Christopher Glynn; Mishka Rushdie Momen

Steve Harris  |  Apr 26, 2025  |  First Published: Oct 01, 2024

This month we review: Pat Metheny, Cornelia Nilsson, Antonio Faraò, and Sam Braysher

Mike Barnes  |  Apr 26, 2025  |  First Published: Oct 01, 2024
This month we review: Wand, The The, Pohl, and Personal Trainer
Ken Kessler  |  Apr 26, 2025  |  First Published: Oct 01, 2024
This month we review: Audiophile Masters, The Art Of HiFi, Holly Lerski, and Charlie Mingus
Peter Quantrill  |  Apr 26, 2025  |  First Published: Oct 01, 2024

Classical heroes, Communist ideology, the lapping waves of a lagoon... Peter Quantrill explores the disparate origins of Nono’s sound-world though a rich recorded legacy

Peter Quantrill  |  Apr 26, 2025  |  First Published: Apr 01, 2025
Ranging from Anthony Lewis’s striking 1953 recording to modern Italian performances, the ‘1610 Vespers’ have a short but distinguished discography, says Peter Quantrill
Steve Harris  |  Apr 25, 2025  |  First Published: Apr 01, 2025

From Dylan and Baez to Geldof and Sting there’s a long history of music and activism – now artists including Coldplay and Jacob Collier have climate change in their sights, says Steve Harris

Mark Craven  |  Apr 25, 2025  |  First Published: Apr 01, 2025

They are the darlings of the home cinema world, but subwoofers aren’t only about bringing a T-Rex into your living room, says Mark Craven – your music system might welcome one, too

Jim Lesurf  |  Apr 25, 2025  |  First Published: Apr 01, 2025

Before you begin fine-tuning your system’s sound with room treatments and seating changes, you should pay attention to ‘interactions’ further back in the chain, says Jim Lesurf

Barry Willis  |  Apr 25, 2025  |  First Published: Apr 01, 2025

The outside needs a lick of paint, but otherwise this famous Bay Area recording studio is ready to make music once more, this time as a non-profit. Barry Willis salutes its owners’ ambition

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