LATEST ADDITIONS

Keith Howard  |  Mar 25, 2009
In this era of DSP room correction systems, surprisingly few loudspeaker manufacturers seem to be looking at the issue of room interaction from the speaker design angle, trying to find ways to quell the room’s influence and thus, potentially, render DSP assistance redundant. Danish company Dali is an exception, although to look at the Helicon 400 Mk2 you could be forgiven for thinking that it is an entirely conventional direct-radiating floorstander. The giveaway, although its significance may not be immediately obvious, is the trademark Dali twin tweeter module which combines a 25mm soft-dome unit with a leaf supertweeter whose diaphragm is 10mm wide by 55mm high. Supertweeters are normally deployed these days to extend response out to low ultrasonic frequencies but the Dali supertweeter also has an important function within the audible range, where it takes over from the dome tweeter at 13kHz.
Ken Kessler and Keith Howard  |  Mar 25, 2009
Some years ago, Magnepan produced a tiny panel for in-store display as a point-of-sale item. It was a miniature Maggie, maybe 18in tall, with sections cut away to show the technology. I asked Jim Winey, ‘Why not make them functioning speakers?’ But, alas, my first visit to Magnepan took place well before home theatre and Dolby Surround would deem small speakers desirable. But I loved the idea of a pair of ‘mini Maggies’ for the desk, or the bedroom, knowing they would never be realised.
Ken Kessler & Paul Miller  |  Mar 06, 2009
Americans have this phrase – probably politically incorrect – for those areas you never hear about. They call them the ‘flyover states’, a perfect description for anywhere that isn’t New York, California or Florida. Which is not to say that places like North Dakota, Idaho or Nebraska are totally without charm. They’re just not on everyone’s radar.
Ken Kessler & Paul Miller  |  Mar 05, 2009
Though CD players now bear a whiff of fin de siècle, this is a ‘golden age’ for silver discs. Despite sales pointing to CD’s demise, some of us still prefer CD to downloads and servers. Ironically, recent gems from Nagra, dCS and others recall the raft of sublime turntables of the late 1980s. Perhaps 10 years hence, CD will be to downloads what vinyl is to CD.
Richard Stevenson & Paul Miller  |  Mar 05, 2009
Just occasionally very creative people can pair two otherwise completely incongruous items and come up with something truly special. Take strawberries and cream: who would have thought mixing a ground fruit with the soured milk of a lactating mammal would sire an international tennis tournament and two weeks of eastern European girls running around in short skirts? Marvellous. But an SACD player with a traditionally video-centric HDMI connection? I’m not so sure. The reason is multichannel SACD audio and getting that data to an external DAC with almost zero jitter.
Paul Miller  |  Mar 05, 2009
If CES 2008 sounded a warning shot across, if not into the bows of the HD DVD fleet then there was always the consolation that its players were, on the whole, far cheaper than their Blu-ray competition while boasting full compatibility with both the software-driven and web-enabled functionality of its discs. Not all Blu-ray players can currently promise that. Sony’s BDP-S300 is one of those players that neither fully conforms to the BD1. 1 video profile (which means that picture-in-picture, ‘Blu-Scape’ games and other bonus features may not function wholly as intended) nor deliver Dolby TrueHD or DTS-HD Master Audio bitstreams over its HDMI 1.
Andrew Harrison and Paul Miller  |  Mar 04, 2009
It’s no idle exaggeration to say that the Sondek LP12 has been a touchstone for record playback during the three decades-plus of its continuous production. And although Linn Products has earned its credentials as a progressive company by embracing new areas of business such as multiroom and AV electronics, and despite the low demand for record players compared to the heyday of the 1980s, the LP12 has stubbornly stayed in the catalogue. It’s a reminder of the company’s heritage but also surely a testament to the turntable’s abiding popularity, since Linn wouldn’t trouble itself to make something no-one would buy. Externally almost identical since 1973, many small changes have been made inside over the years in order to improve its sound, principally by tightening tolerances on metal components and substituting superior suspension pieces.
Ken Kessler & Paul Miller  |  Mar 04, 2009
It was as inevitable as Rocky 2. As soon as SME issued the Model 20/12 turntable in 2006, enthusiasts wondered, would it be joined by a 30/12? Shortly before he passed away that same year, Alastair Robertson-Aikman revealed that it was definitely happening. And almost two years to the day after the funeral, his son Cameron announced the Model 30/12. Its name was a given.
Paul Miller  |  Mar 04, 2009
Naming a cartridge after a firebird that rises from its own ashes may be a portentous omen, given Transfiguration’s previous success in crafting high-class pickups. So maybe the incendiary title is supposed to serve more as a pointer to a fiery performance? After the revamp of the brand’s lineup, this model doesn’t have a natural predecessor, by price at least, since it’s pitched below the former top Temper model, and above the similarly obsolete Spirit. But at £1350 it sits neatly between the award-winning Orpheus (£2750) [March ’07] and the new entry-level Axia at £890, and closely resembles the Spirit in body shape. Like former Transfigurations, it uses an unusual ‘yokeless’ generator inside with ring magnets surrounding the sets of coils.
John Bamford and Keith Howard  |  Feb 25, 2009
I didn’t need much persuading to audition this sumptuous pair of floorstanders made by Revel, one of its flagship Ultima2 range. Priced a cool £11,000 they exude opulence from their sculpted front baffles in gloss black, highly lacquered cabinets finished in real wood veneer (ours were the mahogany version; also available in piano black) and hi-tech drive units. Revel’s Ultima2 range comprises the Studio2 that we have here, an even larger model called Salon2, a slim bookshelf that’s suitable for on-wall use dubbed Gem2 and the Voice2 centre speaker. Commensurate with price, attention to detail is fastidious; to ensure that each Ultima2 loudspeaker is matched to within a fraction of a decibel to its prototype reference, a final tuning process is conducted on all production units to ensure absolute uniformity.

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